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Verdi tried to stop the opera from being performed at Théâtre des Italiens owing to lack of copyright for his operas in France at the time, as did Alexandre Dumas, who claimed copyright infringement of La Dame aux camélias, but without success.
Paris audiences had already seen Mosè in Egitto — both in a performance by the Paris Opéra at the Théâtre de l'Académie Royale de Musique and at the Théâtre des Italiens — before Rossini revised it again, this time markedly, for the Paris Opéra.