It fuses many influences: the Last Judgment of Michelangelo, the monumental approach to contemporary events by Antoine-Jean Gros, figure groupings by Henry Fuseli, and possibly the painting Watson and the Shark by John Singleton Copley.
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Born in Rouen, France, Géricault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guérin, a rigorous classicist who disapproved of his student's impulsive temperament yet recognized his talent.
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Among the artists represented in his collection were Théodore Géricault, Eugène Delacroix, Honoré Daumier, painters of the Barbizon school such as Jean-Baptiste-Camille Corot, Jean-François Millet, Antoine Chintreuil, Gustave Courbet, Édouard Manet, Berthe Morisot, Claude Monet, Pierre-Auguste Renoir, Paul Cézanne, Alfred Sisley, Paul Gauguin and Pierre Puvis de Chavannes.
In 1992, Graham-Dixon won the first prize in the Reportage section in the Montreal World Film Festival for a documentary film about Théodore Géricault's painting The Raft of the Medusa.
The 1821 Derby at Epsom, or Horse race ("Course de chevaux, dit traditionnellement Le derby de 1821 à Epsom per the Louvre"), is an 1821 painting by Théodore Géricault in the Louvre Museum, showing the Epsom Derby of that year.