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Many members of the staff recalls many highlights of the early movie operations such as the time that Pedro Gonzalez appeared while filming the John Wayne classic, The Alamo.
He also appeared in the miniseries The Alamo: Thirteen Days to Glory and in numerous made-for-television movies, including Everybody's Baby: The Rescue of Jessica McClure, Do You Know the Muffin Man?, Buried Alive, The Court-Martial of Jackie Robinson, Switched at Birth and Willing to Kill: The Texas Cheerleader Story.
Echevarría also had small parts in two international productions, first as Raoul, a Cuban agent in the James Bond film Die Another Day and then as Antonio López de Santa Anna in The Alamo.
He entered the motion picture soundtrack industry by becoming an uncredited orchestrator for Dimitri Tiomkin's The Alamo and composed his first score the following year Love in a Goldfish Bowl.
Rippy has worked with Roland Emmerich on seven movies including: Moon 44 (1990), Eye of the Storm (1991), Universal Soldier (1992), Stargate (1994), The Thirteenth Floor (1999), The Patriot (2000), Eight Legged Freaks (2002) and also had a role in the 2004 film The Alamo.
Les Bohem's writing credits include the miniseries Taken, Dante's Peak, Twenty Bucks, Daylight, and The Alamo.
The Alamo: 13 Days to Glory (1987) is a made-for-TV film about the 1836 Battle of the Alamo written and directed by Burt Kennedy, starring James Arness as Jim Bowie, Brian Keith as Davy Crockett, Alec Baldwin as Col. William Travis, Raul Julia as Santa Anna, and featuring a single scene cameo by Lorne Greene as Sam Houston.
The Alamo: Shrine of Texas Liberty is a 1938 American black-and-white war film directed by Stuart Paton and produced by H. W. Kier and Norman Sheldon.
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The film is an educational reenactment of the siege at the Alamo, but the filming location was actually Mission San José.
Along with his Academy Award-nominated films, his 47 film and television credits include the John Wayne epics The Searchers and The Alamo as well as episodes of The Roy Rogers Show and My Mother the Car.
The Nock volley gun was considered obsolete by 1805, but a surviving weapon was carried by Richard Widmark in the 1960 movie The Alamo.