Leni gives Franz the newspaper, a copy of the Frankfurter Zeitung with an article on the Gerlachs, then goes to the bathroom door and tells Johanna to come out.
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After having accompanied Giuseppe Rotunno as an additional cinematographer in The Great War (1959), in the early sixties he worked in art films such as Damiano Damiani's Arturo's Island and The Empty Canvas, but also to international co-productions such as Madame Sans-Gene by Christian-Jaque and The Condemned of Altona by Vittorio De Sica.