X-Nico

unusual facts about The Cradle


Daniel Davison

He played several shows with them and recorded drums on their latest record, The Cradle.



see also

Architecture of Kerala

The Arabian Peninsula, the cradle of Islam also had direct trade contact with Kerala coast from very early times, as far as the time of Muhammad or even before.

Barry Gustafson

In 1986 he also published From the Cradle to the Grave: A Biography of Michael Joseph Savage.

Boots Woodall

Chief among these was "Robbin' The Cradle" by Chicago vocalist Tony Bellus.

Claude Charles Fauriel

Fauriel had a preconceived and somewhat fanciful theory that Provence was the cradle of the chansons de geste and even of the Round Table romances; but he gave a great stimulus to the scientific study of Old French and Provençal.

Congregation of Our Lady of Calvary

In 1614 Antoinette founded and built a new convent at Poitiers, dedicated to Our Lady of Calvary, which became the cradle of the congregation.

History of the violin

Many archive documents testify that from 1485-95 Brescia was the cradle of a magnificent school of string players and makers, all called with the title of "maestro" of all the different sort of strings instruments of the Renaissance: viola da gamba (viols), violone, lyra, lyrone, violetta and viola da brazzo.

IFChina Original Studio

The small city of Ji’an is within the Jinggangshan region, the “cradle of the Chinese revolution” and birthplace of the Chinese Red Army (the People's Liberation Army of China).

In Search of the Cradle of Civilization

Georg Feuerstein, Subhash Kak, David Frawley, In Search of the Cradle of Civilization: New Light on Ancient India, Quest Books (October, 1995), ISBN 0-8356-0720-8.

In Search of the Cradle of Civilization: New Light on Ancient India is a 1995 book by Georg Feuerstein, Subhash Kak, and David Frawley that argues against the theories that Indo-European peoples arrived in India in the middle of the second millennium BC (Indo-Aryan migration) and supports the concept of "Indigenous Aryans" and the Out of India theory.

Indo-Greek art

This is particularly the case of some purely Hellenistic works in Hadda, Afghanistan, an area which "might indeed be the cradle of incipient Buddhist sculpture in Indo-Greek style".

Lapa, Rio de Janeiro

The neighborhood of Lapa, Rio de Janeiro, known as the cradle of bohemian Rio is also famous for its architecture, starting with the Arcos - known as the Arcos da Lapa, constructed to act as conduit in the days of colonial Brazil and now serve as a signal for the cable cars that climb the hill of Santa Teresa.

Mary Ellen Bute

In the 1960s and 1970s Bute worked on two films which were never completed: an adaptation of Thornton Wilder's 1942 play The Skin of Our Teeth, and a film about Walt Whitman with the working title Out of the Cradle Endlessly Rocking.

Oaklawn Cemetery

Notable areas and gravesights in the cemetery include the gravesites of Henry Laurens Mitchell, John T. Lesley Family, Samuel Friebele, Charles Wall, the Hooker Family, James McKay Jr., James C. Field, Joseph B. Lancaster, the Krause Family, the Wall Family, mass graves, gravesite of James T. Magbee, the gravesites of William and Nancy Ashley the "Rural Cemetery", gravesites of John P. Wall, James Gettis, grave art, and the "Cradle Graves".

Postwar Britain

It developed and implemented the "cradle to grave" welfare state conceived by the Liberal economist William Beveridge.

São Pedro de Alcântara, Santa Catarina

São Leopoldo, in the neighboring state of Rio Grande do Sul, founded in 1824 by the first pioneer German speaking families to settle permanently in Brazil, is officially considered the cradle of German-Brazilian culture (see the Riograndenser Hunsrückisch German language of South America).

Tad Jones

Jones co-authored the history of post-World War II New Orleans Rhythm and Blues, Up from the Cradle of Jazz, with Jason Berry and Johnathan Foose.

The Nazi Drawings

"I tried to keep not only the vision of The Nazi Drawings simple and direct but also the materials I used in making them. I wanted them to be done with a tool used by everyone everywhere. From the cradle to the grave, meaning the pencil. I felt if I could use a tool like that, this would keep me away from the virtuosity that a more sophisticated medium would demand." Mauricio Lasansky Said.