His activity has been focused on Johann Sebastian Bach; he has transcribed the The Musical Offering for two pianos, the Brandenburg Concertos, the Deutsche Messe and the Canons on the Goldberg ground, BWV 1087; and he reconstructed, performed and recorded the Christmas Oratorio for solo strings, mixed choir and piano by Friedrich Nietzsche.
Artificii musicali ne quali si contengono canoni in diverse maniere contrapunti dopii, inventionj curiose, capritii e sonate, Opus 13 (1689) is one of the most comprehensive studies of counterpoint before Bach’s Die Kunst der Fuge and Musicalisches Opfer.
Good examples are the three-part and six-part ricercars from The Musical Offering (1747) by Johann Sebastian Bach.
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