"Swamp Things: Florida's Uninvited Predators." The New Yorker, Pg.
Her 1925 novel Unveiled received a glowing review in the May 30, 1925 issue of The New Yorker.
He was also a regular contributor of articles or cartoons to many other publications, including The Times, Geographical Magazine, Socialist Commentary, the Surrey Advertiser, News Chronicle, The Cricketer, London Opinion, The New Yorker, the Evening Standard, and the Daily and Sunday Telegraph.
Holly Brubach, fashion writer for The New Yorker, borrowed the song's title for a collection of her essays.
Her husband was the wealthy advertising executive Ned Crane, and throughout their marriage Frances regularly published articles in The New Yorker, where she became known for her dry, sophisticated sense of humour.
Under the pseudonym Xavier Rynne, combining his middle name and his mother's maiden name, he revealed the inner workings of Vatican II to The New Yorker.
Since National Geographic's victory in the Second Circuit, several publications (including The New Yorker, Playboy, Atlantic Monthly, and Rolling Stone) have either produced or announced plans to produce complete reproductions of their prior paper magazines on DVD or a restricted website for subscribers.
A description of the show appears in the August 30, 1947 issue of The New Yorker magazine.
She then writes a story about all her friends for The New Yorker.
David Grann's New Yorker article "The Lost City of Z" (2005) was expanded into a book The Lost City of Z (2009) and a forthcoming movie.
Ffolkes contributed to such newspapers and magazines as Strand, Lilliput, the Daily Telegraph, The Spectator, the Sunday Telegraph, Playboy, Private Eye, the New Yorker, the Reader's Digest, Krokodil, and Esquire.
In James Thurber's 1937 New Yorker article "There's No Place Like Home", a phrasebook from "the era of Imperial Russia" contains the "magnificent" line: "Oh, dear, our postillion has been struck by lightning!".
Nishnabotna Township is probably best known outside the immediate region for a reference by the New Yorker cartoonist George Booth, a native of Missouri.
She was also a freelance journalist, whose work appeared regularly in The New Yorker.
He joined the staff of The New Yorker magazine at the insistence of James Thurber and worked there from 1944 to 1987, writing stories and touching up cartoon captions.
"A very good book for people interested in early diseases." - The New Yorker
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"A book of the first importance, a truly revolutionary work." - The New Yorker
Richard Lockridge collaborated with his wife, using her plot and the characters he had created earlier for a series of comic sketches in The New Yorker, Mr. and Mrs. North (named for the "stupid people who played the north hand in bridge problems," according to Lockridge).
The history of Derviš Korkut, who saved the book from the Nazis, was told in an article by Geraldine Brooks in The New Yorker magazine.
The New Yorker published Connor's painting and the attribution to Fabritius in their anniversary issue, February 22, 1993, p 147.
Trapped in an Elevator for 41 Hours is a viral video produced by The New Yorker based on a real-life incident in which Nicholas White was trapped inside an elevator for a total of 41 hours.
This triggered a hurried, clandestine retrofit which was described in a celebrated article in The New Yorker.
The album has received favourable reviews, with New Yorker music critic Sasha Frere-Jones calling it one of the best albums of the year.
The New Yorker | New Yorker | New Yorker Hotel | The Yorker | New Yorker Staats-Zeitung | Alex Ross (New Yorker critic) |
The book focuses on many of the stories that Talese attempted to tell, but failed, such as spending six months working on a story about John and Lorena Bobbitt for The New Yorker only to have the piece rejected by New Yorker editor Tina Brown.
In 1993, Bridge was the subject of a long article, "The Confession," by Alec Wilkinson, published in the October 4, 1993 issue of The New Yorker.
François initially worked for French leftist newspapers (Le Nouvel Observateur) and illustrated books by authors such as Jacques Prévert, but gradually reached a larger audience, publishing in leading magazines of the United Kingdom (Punch) and the United States (The New Yorker).
His stories, translated into English by his wife, Helen Barolini, appeared in The New Yorker and then were collected and published as Our Last Family Countess, and other Stories.
His most recent book is Usher (W.W. Norton, 2009), and his poems have appeared in literary journals and magazines including The New Yorker, The Paris Review, The Southern Review, Poetry, TriQuarterly, The Hudson Review, Salmagundi, The Sewanee Review.
In her New Yorker review of A.A. Milne's The House at Pooh Corner (1928), Dorothy Parker, writing under the book reviewer pen name Constant Reader, purposefully mimics baby talk when dismissing the book's syrupy prose style: "It is that word 'hummy,' my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader fwowed up."
For a fictionalized account of Forestiere and his obsession, see the short story "The Underground Gardens" by T. Coraghessan Boyle, published in The New Yorker (May 25, 1998).
Benton Ridge is the setting of David Foster Wallace's short story "Asset", published in the June 21, 1999 issue of The New Yorker.
Writing in The New Yorker in 2006, the critic Peter Schjeldahl described Marden as "the most profound abstract painter of the past four decades.".
Frozen triggered a controversy and discussion about artistic sources and plagiarism and was the subject of a piece by Malcolm Gladwell published in The New Yorker and also collected in his book What the Dog Saw.
Jost has published three "Shouts and Murmurs" pieces in The New Yorker magazine, in addition to writing for The New York Times Magazine, the Huffington Post, the Staten Island Advance and Radar.
Daniel Alarcón’s work has been published in The New Yorker, Harper's, Granta, Virginia Quarterly Review and elsewhere, and anthologized in Best American Non-Required Reading 2004 and 2005.
The term was once again used in a 2010 article by Jonah Lehrer published in The New Yorker.
Assistive Media - Has made over 1000 audio recordings of in-depth titles of mostly serious non-fiction from mainstream periodicals, including The New Yorker, The Atlantic, Harper's, and The New York Review of Books, and as of 2011 creates recordings for library use
In 2004 Lewis alleged that British playwright Bryony Lavery's hit Broadway play Frozen, particularly the character of 'Agnetha', a psychiatrist sent to evaluate a serial killer, was based on thematic similarities with her book Guilty by Reason of Insanity and verbatim extracts from a New Yorker article about her by Malcolm Gladwell.
According to Seymour Hersh, a journalist and contributor to The New Yorker, Hijazi has cooperated with Coalition Forces after his capture in order to revive the old Iraqi intelligence network in order to establish security in post-war Iraq.
Best known for the comic book Idiotland (a two-man anthology produced with Leib's long-time collaborator, Doug Allen), Leib's work has also appeared in The New Yorker, The New York Times, Musician Magazine, The New York Observer, RAW, BLAB! and as weekly features in New York Press for many years.
The May 12, 2008 edition of The New Yorker magazine published in its weekly caption-writing contest a cartoon by that closely resembled Jack Kirby's cover of Tales to Astonish #34 (Aug. 1962).
Harvey Sachs has written over 600 articles and other pieces for periodicals that include The New Yorker, The New York Times, the Wall Street Journal, and the Times London Literary Supplement; record companies that include Deutsche Grammophon and RCA/BMG; and many radio and television programs.
The character, as Holden Morrisey Caulfield, also appears in Salinger's "Slight Rebellion off Madison", published in the December 21, 1946 issue of The New Yorker.
Howard Brubaker (d. 1957) was an editor of Success and Liberator and a contributor to the New Yorker, Collier's Weekly, The New Republic, Saturday Evening Post, Country Gentleman, and many other magazines.
Stafford enjoyed a brief period of domestic happiness with her third husband, A. J. Liebling, a prominent writer for The New Yorker.
She is best known for her work in The New York Times and The New Yorker and also for her award winning collaborative graphic novel Skim with Mariko Tamaki.
On its publication in the US by Knopf in 2007, The New Yorker described it as “compelling”, The Wall Street Journal as “masterful”, and The Philadelphia Inquirer as “a model of what a literary biography ought to be.” The Wall Street Journal named it one its Ten Best Books of the Year.
Writer Joel Sayre wrote about the Warde suicide in The New Yorker, in an article entitled “That Was New York: The Man on the Ledge,” which was published on April 16, 1949.
He is also credited (as by Alex Ross in The New Yorker) with coining the phrase “post-classical music” to describe an emerging 21st century musical landscape merging classical music with popular and non-Western genres.
Her husband was dismissed by Roy Cohn from his post in the Public Affairs Division of the U.S. State Department, and Boyle lost her position as foreign correspondent for The New Yorker, a post she had held for six years.
Wright had previously written a profile of former Scientologist Paul Haggis for The New Yorker.
His poems have been published in literary journals and magazines including The New Yorker, The American Poetry Review, Callaloo, Poetry, and Tin House.
The film was based on an article by St. Clair McKelway that was first published in The New Yorker and later collected in McKelway's book True Tales from the Annals of Crime & Rascality.
Jane Mayer reported in The New Yorker on Sands' reaction to news that Spanish investigating judge Baltazar Garzon had received motions requesting that six former Bush officials (Alberto Gonzales
The book is largely composed of movie reviews, ranging from her famous review of Last Tango in Paris to A Woman Under the Influence, but it also contains a longer essay entitled "On the Future of Movies" as well as a book review of The Fred Astaire & Ginger Rogers Book, by fellow The New Yorker dance critic Arlene Croce.
Richard Owen Boyer (January 10, 1903 – August 7, 1973) was an American freelance journalist who, before appearing at a Senate hearing, had contributed profiles to The New Yorker and written for the Daily Worker.
"Signs and Symbols" is a short story by Vladimir Nabokov, written in English and first published, May 15, 1948 in The New Yorker and then in Nabokov's Dozen (1958: Doubleday & Company, Garden City, New York).
The Alphabet From A to Y with Bonus Letter Z! is a children's book aimed at infants and preschoolers containing couplets written by comedian, writer, and humorist Steve Martin, with illustrations by New Yorker cartoonist Roz Chast.
The Rejection Show has been featured in the Los Angeles Times, Newsday, The New York Times, The Daily News, the New York Post, The New Yorker, The Onion, ABC News, CBS News Sunday Morning, NPR, XM Satellite Radio, and in international papers around the globe.
Snodgrass's first poems appeared in 1951, and throughout the 1950s he published in some of the most prestigious magazines: Botteghe Oscure, Partisan Review, The New Yorker, The Paris Review and The Hudson Review.
She has presented her work in a large number of Western publications, including The New York Times, The New Yorker, Time, CNN, USA Today, the BBC, The Times, The Sunday Times, The Economist, Stern, Welt am Sonntag, Asahi Shimbun, NHK, Yomiuri Shimbun, Le Monde, ND Le Figaro.