Alternatively he exploited instances where living writers no longer held the rights to his work, an example being the J.B. Priestley novel Benighted, which was the basis for The Old Dark House (1932); James Whale's horror film for Universal (which had been thought lost for some years) thus passed to Rohauer.
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In the early thirties, perhaps his most memorable creative partnership was formed with director James Whale, for whom he photographed the first three of Whale's quartet of horror films: Frankenstein (1931), The Old Dark House (1932), and The Invisible Man (1933).