In 2003, Italian satirist Daniele Luttazzi produced the short story Stanotte e per sempre (Eng.: Tonight and forever), which transposed Krassner's elements in the Italian political context.
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Krassner's most successful prank was The Parts That Were Left Out of the Kennedy Book, a grotesque article following the censorship of William Manchester's book on the Kennedy assassination, The Death of a President.
Jesse Cornplanter (Seneca) carried on the realist tradition in the early 20th century.
Early influences on Byrd included the abstract expressionists and modernists Lyonel Feininger, Willem de Kooning, John Marin, and Mark Rothko, as well as the realist Edward Hopper.
Robert Gilpin and Stephen Krasner are advocates of the realist tradition, which emphasises the hegemonic system.
After returning to Japan he established a unique style, combining the realist techniques of the traditional Japanese Maruyama–Shijo school with Western forms of realism borrowed from the techniques of Turner and Corot.