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He was a member of The Royal Opera, Covent Garden, from 1976 to 1986, singing such roles as Albert in Werther, the Animal Tamer in the British premiere of the three-act version of Lulu, Demetrius in A Midsummer Night's Dream, Papageno in The Magic Flute, Ford in Falstaff, Sharpless in Madama Butterfly and Marcello in La bohème.
The opera Agnes of Hohenstaufen by the Italian composer Gaspare Spontini had its premiere on 12 June 1829 at the Royal Opera in Berlin.
Corbelli's roles at the Royal Opera House have included Don Alfonso in Cosi Fan Tutte (8 perf., 1997), Doctor Malatesta in Don Pasquale (8 perf., 2004; 5 perf. 2006), Don Magnifico in La Cenerentola (10 perf. 2007-2008), Doctor Bartolo in Il barbiere di Siviglia (6 perf., 2009), and Michonnet in Adriana Lecouvreur (8 perf., 2010).
At the Royal Opera House, Sharp sang in the chorus in the first post-war production, Purcell's The Fairy Queen, then in the 1947 productions of Bizet's Carmen, Massenet's Manon and Mozart's The Magic Flute.
Dancing Away (Methuen, October 1998) is a diary of The Royal Ballet's first year ‘on the road’, as the Royal Opera House underwent its extensive and controversial redevelopment.
While at the Royal Opera, Coates notably sang in several world premieres, including Madame Bardeau in Arthur Bliss's The Olympians (1949), the Housewife in Britten's Gloriana (1953), and the She-Ancient in Michael Tippett's The Midsummer Marriage (1955).
Viénot also painted Marie Duplessis (reproduced in the Royal Opera's programme for Verdi's La Traviata at the Royal Albert Hall in May 1998).
The installations of the Met, La Scala and the Arcimboldi, the Vienna State Opera, Liceu, and the Royal Opera House were possible with the donations of the philanthropist Alberto Vilar, at the time a majority shareholder of Figaro Systems.
As a soloist, she has performed with orchestras including the Royal Philharmonic Orchestra, the Royal Opera Orchestra of Stockholm, the Drottningholm Baroque Orchestra and Kroumata (percussion-ensemble), with the Eric Ericson Chamber Choir, and with conductors such as Alan Gilbert, Siegfried Köhler and Laurence Reenes.
Many of its singers took part in other events, including working with the Royal Opera House, Covent Garden, the English Opera Group (including a tour of the USSR in 1964) and many individual operas and other engagements.
Having attended a local comprehensive school, he went on to study Physics at Worcester College, Oxford and drama writing with playwright Bernard Kops while supporting himself working in the cloakroom of the Royal Opera House, Covent Garden.
In 1917–1924, he devoted most of his time to designing stage sets for various theaters—in Saint Petersburg, Odessa, Prague, Paris, and for the Royal Opera in Bucharest.
He was promoted to principal status alongside his pas-de-deux partner Lauren Cuthbertson in June 2008, following well-received performances in Romeo and Juliet at the Royal Opera House.
His international career started in 1993 when he performed the role of Joan of Arc in the world premiere of Arms for the Maid for the Royal Opera House Garden Venture.
After a two-year apprenticeship under Mahler, Rothwell left Hamburg to conduct operatic performances in many European cities, becoming director of the Royal Opera in Amsterdam.