Engineered and mixed by Mike Wright (Black Lips) and Graham Marsh (Cee-Lo), on the outside it is a sonic departure from the previous recordings, but the essence of the band’s off-kilter approach to pop music remains.
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Their dynamic is based on a mutual love of the hypnotic sounds of Can and Kraftwerk, Brazilian Bossa Nova and Tropicalia, and '60s pop from all around the globe.