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The theatre games tradition is a method of training actors that was developed in the 20th century by practitioners such as Joan Littlewood, Viola Spolin, Clive Barker, Keith Johnstone, Jerzy Grotowski and Augusto Boal.
The idea for a network of women theatre practitioners was born in a café in Trevignano, Italy in September 1983, during a festival of alternative theatre: a discussion on the predominance of male directors and writers at the festival led Jill Greenhalgh to ask what such a festival might be like if the primary creative voices were those of women.
Their training consisted mainly of partaking in the numerous free workshops given by theatre practitioners at Hope Street in the late 80's/ early 90's, organised by Peter Ward.
Theatre practitioners who have worked at The White Bear include Joe Penhall, Hugh Allison, Mark Little, Emily Watson, Tamzin Outhwaite, Kwame Kwei-Armah, Vicky Featherstone, Torben Betts, Lucinda Coxon, Adam Spreadbury-Maher (Associate director 2008 - 2009) and Chris Loveless (Associate Director, 2009 - ).