X-Nico

Luís Vaz de Torres

The original official manuscript account reappeared in the collections of Sir Thomas Phillips during the 19th century.

Minuscule 556

The manuscript was brought along with seven other manuscripts (676, 677, 678, 679, 680, 681, and 682) by the late Sir Thomas Phillips, at Middle Hill in Worcestershire.

Minuscule 676

The manuscript was acquired along with seven other manuscripts (556, 677, 678, 679, 680, 681, and 682) by the late Sir Thomas Phillips, at Middle Hill in Worcestershire.

Minuscule 677

It was acquired along with seven other manuscripts (556, 676, 678, 679, 680, 681, and 682) by the late Sir Thomas Phillips, at Middle Hill in Worcestershire.

Minuscule 678

The manuscript was acquired along with seven other manuscripts (556, 676, 677, 679, 680, 681, and 682) by the late Sir Thomas Phillips, at Middle Hill in Worcestershire.

Minuscule 679

The manuscript as acquired along with seven other manuscripts (556, 676, 677, 678, 680, 681, and 682) by the late Sir Thomas Phillips, at Middle Hill in Worcestershire.

Minuscule 680

The manuscript was acquired along with seven other manuscripts (556, 676, 677, 678, 679, 681, and 682) by the late Sir Thomas Phillips, at Middle Hill in Worcestershire.

Minuscule 681

The manuscript was acquired along with seven other manuscripts (556, 676, 677, 678, 679, 680, and 682) by the late Sir Thomas Phillips, at Middle Hill in Worcestershire.

Minuscule 682

The manuscript was acquired along with seven other manuscripts (556, 676, 677, 678, 679, 680, and 681) by the late Sir Thomas Phillips, at Middle Hill in Worcestershire.

Thomas Phillips

In 1807 he sent to the Royal Academy the well-known portrait of William Blake, now in the National Portrait Gallery, London, which was engraved in line by Luigi Schiavonetti, and later etched by William Bell Scott.