The album is perhaps most memorable for its apocalyptic track "Pogledaj dom svoj, anđele" (named after, but not inspired by the novel Look Homeward, Angel by Thomas Wolfe) which went on to become one of Riblja Čorba's signature pieces.
"The Innocent Age" drew its inspiration from Thomas Wolfe's major novel "Of Time and the River." Fogelberg captured on this album Wolfe's protagonist's search for meaning, for self, and the inexorable passage of time.
The editing was done by Maxwell Perkins at Scribner's, the most prominent book editor of the time, who also worked with Ernest Hemingway and F. Scott Fitzgerald.
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UNC-Chapel Hill presents the annual Thomas Wolfe Prize and Lecture each October at the time of Wolfe's birthday to a contemporary writer, with past recipients including Roy Blount, Jr., Robert Morgan, and Pat Conroy.
Thomas Jefferson | Thomas Edison | Thomas | Thomas Hardy | Thomas Mann | Thomas Aquinas | Clarence Thomas | Thomas Gainsborough | Dylan Thomas | Thomas Pynchon | St. Thomas | Saint Thomas, U.S. Virgin Islands | Tom Wolfe | Thomas Carlyle | Thomas the Tank Engine | Thomas Moore | Thomas Cromwell | Thomas Becket | Thomas the Apostle | Thomas Merton | Thomas Tallis | Thomas Paine | James Wolfe | Roy Thomas | Thomas Telford | Thomas More | Thomas Wentworth, 1st Earl of Strafford | Ryan Thomas | C. Thomas Howell | Thomas Kean |
From 1925 to 1929, Bernstein was romantically linked to Thomas Wolfe, who based the character Esther Jack on her, in his novels Of Time and the River, The Web and the Rock, and You Can't Go Home Again (1940).
Among those he taught in his playwriting class were George Abbott, Philip Barry, S.N. Behrman, Hallie Flanagan, Sidney Howard, Stanley McCandless, Eugene O'Neill, Edward Sheldon, Maurine Dallas Watkins, and Thomas Wolfe.
His translations into Estonian include two novels by Philip Roth, The Border Trilogy by Cormac McCarthy, the chapter "Waiting for Glory" from the novel The Web and the Rock and the novella The Lost Boy by Thomas Wolfe, and Life on the Mississippi by Mark Twain.
Over the years, she built friendships with fellow writers Ernest Hemingway whom she met in 1936 and traded praises with about their writing, Thomas Wolfe, F. Scott Fitzgerald whom she also met in 1936 when Fitzgerald was recuperating in the mountains in North Carolina, Robert Frost, and Margaret Mitchell.
The walls were lined with popular fiction and non-fiction; Greek and Roman classics; beautifully bound volumes from the 19th Century; complete sets of Shakespeare, Dickens, Thomas Wolfe, Mark Twain, and Edgar Allan Poe.
Also at NYU, he had as an instructor of English famed writer Thomas Wolfe, whose The Party at Jack's (UNC-Chapel Hill, 1995, pp. 41–42) shows remarkable writing on architecture, perhaps related to his strong association with the school and its students, whom he considered among his best.
His translations from English into Spanish include “With Borges” (by Alberto Manguel), “The Sandglass” (Romesh Gunesekera), “American Notebooks, a selection” (Nathaniel Hawthorne), “Lady Susan” (Jane Austen), and also a couple of anthologies as “New York short stories” (Edith Wharton, O. Henry, Thomas Wolfe, Dorothy Parker, etc.).