This technique was notably used in the Fayum mummy portraits from Egypt around 100–300 AD, in the Blachernitissa and other early icons, as well as in many works of 20th-century North American artists, including Jasper Johns, Tony Scherman, Mark Perlman, and Fernando Leal Audirac.
He is particularly known for a monumental cycle of Napoleon portraits and French Revolution paintings collected in the 2002 art book, Chasing Napoleon: Forensic Portraits.
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