Originally called Hippodrome de la Touques, it was named for the Touques River that separates the city of Deauville from Trouville-sur-Mer.
He died in Trouville, France three years later and, his body being returned to the United States, later buried in Holy Sepulchre Cemetery in Omaha, Nebraska.
Suzanne was born Albert Jacques Suzanne April 17, 1880 in Trouville-sur-Mer, Normandy, France.
Hiffernan attended séances with Whistler at Dante Gabriel Rossetti's house in Chelsea in 1863, and spent the summer and autumn of 1865 in Trouville with Whistler.
Louis-Joseph-Narcisse Marchand (born Paris, March 28, 1791, died Trouville, June 19, 1876) was Napoleon Bonaparte's valet and the nominated liquidator of his succession.
Stevenson, a tough American businessman arrives at Trouville with his beautiful wife Ketty, her young Canadian maid Julia and the Captain Harris.
The large town's position on the estuary of the River Touques was ideal for the establishment of a constructed harbour to supplement the fishing docks of Trouville-sur-Mer.
A permanent display of his work may be found at the Montebello Museum in Trouville, where he spent his last years.
He also bought a small farm near Hennequeville, near Trouville.
Optimistically promoted as "Trouville-sur-Seine", it was located on the Seine near Bougival, easily accessible by train from Paris and had just been favoured with a visit by Emperor Napoleon III with his wife and son.
The only point work is situated at Trouville-Deauville station and enables joint operation with the line to Paris and in the yard preceding Dives-sur-Mer which has been mothballed.
Born in Los Angeles, the son of Jewish immigrants from Tiraspol, he first emerged into the public view when he organised desegregated jam sessions at the Trouville Club in Los Angeles, which he later expanded when he staged a memorable concert at the Philharmonic Auditorium in Los Angeles on Sunday, July 2, 1944, under the heading of "Jazz at the Philharmonic".
Art critic Frank Rutter said it made him "boil with rage" that the Fund had spent thousands of pounds on Old Master paintings, some of which he considered of dubious merit or condition, but "would not contribute one half penny" to his appeal in 1905 to buy the first Impressionist painting for the National Gallery, although it welcomed the prestige of presenting the painting, Eugène Boudin's The Entrance to Trouville Harbour, the following year.