Linguistic Typology | Linguistic typology | linguistic typology |
Abugida as a term in linguistics was proposed by Peter T. Daniels in his 1990 typology of writing systems.
In 2001, Michael Welner published pioneering research on the typology of drug-facilitated rapists.
John Coakley, for example, has developed a typology of the methods of conflict resolution that have been employed by states, which he lists as: indigenization, accommodation, assimilation, acculturation, population transfer, boundary alteration, genocide and ethnic suicide.
Her research interests include the Slavic languages, the linguistic prehistory of northern Eurasia, language typology, ancient linguistic prehistory, and languages of the Caucasus, chiefly Chechen and Ingush.
Conversely, the basic structure of a transitive Japanese sentence is SOV, with the usual syntactic features associated with languages of this typology, including post positions, that is, grammar particles that appear after the words and phrases to which they apply.
The system is a continuation of Jan Petersen's typology of the Viking sword, introduced in De Norske Vikingsverd ("The Norwegian Viking Swords", 1919), modified in 1927 by R. E. M. Wheeler into a typology of nine types labelled I to IX.
Hrytsenko is a specialist in dialectology of the Ukrainian language, typology of Slavic dialect systems, theory of linguistic geography, dialectal textology and textography, history of linguistics.
The language is double-marking in the typology of Johanna Nichols, meaning that it marks grammatical relations on both the dependent phrases and phrasal heads.
Using advances in stratigraphy building on the work of Flinders Petrie, they developed a chronology for the region using ceramic typology.
His work focuses on typology and historical linguistics of Tibeto-Burman languages as well as Plateau Penutian, especially the Klamath language.
The recent investigations of the Complutense University of Madrid, published in 2001, signal that the sword is from the 11th century; nevertheless the Curator of the Royal Armory Álvaro Soler del Campo points out that the sword is formed of three joined pieces and that their typology is the same as that of the handle, adornment, and the inscription, from the era of the Catholic Monarchs.