Upperstall.com review, "Chittor V Nagaiah lends solid support as Kamini's father".
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Upperstall.com review, "Ladki re-unites Vyjayanthimala with her Bahar (1951) director MV Raman and producer from the South, AV Meiyappan. As with Bahar and many of her early films, it is Vyjayanthimala's dances that are the film's saving graces although it is unintentionally funny now to see how deliberate and obviously tacky the sequences are which lead into her dances...Ladki too makes no real demands on 'feminist' tomboy Vyjayanthimala histrionically".
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Upperstall.com review, "Anjali Devi, to play the so-called acting role, in this case the weepy, motherless girl who suffers because her father did not believe in caste differences and married a woman of low caste...Anjali Devi acquits herself rather well as against Pandari Bai's eye popping theatrics in the earlier Bahar.".
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Upperstall.com review, "Kishore Kumar are strictly supportive appendages at best...Kishore Kumar does what he can, bringing the film to life with his lively antics whenever he is on screen. One sees his potential for zany comedy that would go on to flower fully in films like Aasha (1957), Chalti Ka Naam Gaadi (1958) and Half Ticket (1962)".
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Upperstall.com review, "The heroes Bharat Bhushan...Bhushan looks woefully out of sorts and uncomfortable on screen".