The musicologist James Webster, basing his remarks on his study of two leading urtext editions of Haydn's E flat Piano Sonata, H. XVI:49, suggests that players interested in historically informed performance ought to play from a facsimile.
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Whereas some of the researchers are hoping to establish an Urtext edition, others have given this up as unrealistic and prefer not to mix manuscripts into 'editorial soup' but to respect them as local variants in their own right.