Sonically, the album is rooted in Latin pop, Electro pop and Ranchera, but also incorporates a variety of other genres such as Vallenato.
Some renowned traditional vallenato performers are Guillermo Buitrago, Alejo Duran, Enrique Díaz, Emiliano Zuleta, Luis Enrique Martínez, Abel Antonio Villa and Lorenzo Morales.
Relocating to Colombia in 1983, De La Fé signed with Philips and released three albums - Made in Colombia, Dancing in the Tropics and Alfredo De La Fé Vallenato - by the end of the 1980s.
Romero had just recorded a Long Play with singer Emilio Oviedo, with strong influences from singer Jorge Oñate, the Lopez brothers, accordionist Colacho Mendoza and the Los Hermanos Zuleta who were the mainstream vallenato groups at the moment.
Three-row systems are also popular in Mexico and the United States (in Conjunto, Tejano, Zydeco and Cajun musics) and Colombia (in Vallenato and Folklor musics).
Juancho De la Espriella (born 1973), Colombian musician, interpreter of vallenato on the accordion
On the coastal plain, for example the town of San Jacinto, Bolívar, an ensemble known as the conjunto de gaitas commonly provides the music for the cumbia, porro, and other folk styles such as vallenato.
The star-turning role as Rafael Escalona would produce the Escalona soundtracks, giving birth to Vives's true voice in his vallenato sound, literally turning his back on his earlier work.
Vives' and his band, La provincia, continued experimenting the fusion of vallenato and cumbia with pop, rock and funk in their subsequent albums La Tierra del Olvido and Tengo Fe.