In number 230, Lobeira uses the same ritournelle that Oriana sings in Amadis de Gaula, and this has led to his being generally considered by modern supporters of the Portuguese case to have been the author of the romance, in preference to Vasco de Lobeira, to whom the prose original was formerly ascribed.
Another theory, postulated by the eminent scholar of Iberian literature, A. F. G. Bell, states that Vasco de Lobeira elaborated the work of his ancestor João Lobeira.
Vasco da Gama | Vasco | Vasco da Gama, Goa | Vasco Rossi | Vasco Ronchi | Vasco de Lobeira | Vasco da Gama (South Africa) | Vasco da Gama Bridge | Vasco Da Gama | Vasco Pratolini | Vasco Fernandes Coutinho, captain of Espírito Santo | Vasco Errani | Vasco de la Zarza | ''Vasco da Gama''-class frigates | Vasco da Gama-class frigate | Vasco (album) | NRP ''Vasco da Gama'' | João de Lobeira |