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He began as a sideman playing the violin in Fred Hamm's band, and in the 1920s and 1930s he led a series of jazz-oriented dance bands (the most famous being the Biltmore Hotel Orchestra), making a large number of recordings in that period for Victor Records.
There he recorded the songs "Goose Hill Woman Blues", "Married Man Blues", "Short Dress Blues" and "Third Street Woman Blues" under the name 'Blind Willie Reynolds' for Victor Records.
Fight to Survive was the first album by the American/Danish hard rock band White Lion, released by Victor Records in Japan in 1985.
In 1926, through selling blues records in his store, he began working as a scout for the record companies producing the records, such as Okeh, Victor, Gennett, Columbia, Vocalion, Decca and Paramount.
The title theme, written by Oscar Levant with lyrics by Irving Caesar, was a 1930 #5 pop hit sung by Nick Lucas and released by Brunswick Records, which had been purchased by Warner Brothers the previous year (Another recording, by the Havana Novelty Orchestra was released the same year on RCA's Victor Records).
After the OKeh contract ended in September 1930, Russell recorded a handful of largely unremarkable sessions for Melotone, Brunswick and Victor.
In 1916, she began recording for Victor Records, singing a variety of songs, such as "Everybody's Crazy 'bout the Doggone Blues, But I'm Happy", "After You've Gone", "A Good Man Is Hard to Find" (later recorded by Bessie Smith), "When I Hear that Jazz Band Play" and her biggest success, "I Ain't Got Nobody".
His orchestral version of Ethelbert Nevin's duet O That We Two Were Maying was recorded by Victor Records in May 1914 by two important singers of the time, Alma Gluck and Louise Homer.
Scandinavian Leather is an album by the Norwegian band Turbonegro that followed the band's reunion in 2002 and was released in April 2003 on Burning Heart Records in Sweden, on Bitzcore Records in Germany, on JVC/Victor Records in Japan and on May 6, 2003 on Epitaph Records in the USA.
In 1926 he arranged a series of recordings for Victor Records by Morton's Red Hot Peppers, which have come to be regarded as landmarks of early jazz.
The host for many years was the banjo-playing vocalist Wendell Hall, "The Red Headed Music Maker," who wrote the popular "It Ain't Gonna Rain No Mo'" (Victor Records).