Ralph Wedgwood, younger brother of the first Baron, was created a baronet, in 1942.
The Chellis Wedgwood Collection, the largest and most comprehensive special collection in the world related to Josiah Wedgwood and his manufactures, along with the Beeson rare book holdings, make this the U.S. center for the study of Wedgwood.
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The Dwight and Lucille Beeson Wedgwood Collection is the finest outside England, comprising more than 1,400 objects illustrating the entire production of the Wedgwood factory from its early years through the 19th century.
Wilson created the designs for "The First American Series", basalt medallions depicting famous Indian chiefs, which were produced by Josiah Wedgwood and Sons, Inc., England.
If his ceramic work from the 1860s onwards (for firms such as Mintons, Wedgwood, Royal Worcester, Watcombe, Linthorpe, Old Hall at Hanley and Ault) is considered, he must be amongst the most influential ceramic designers of any period.
A chain of mergers had led to Wedgwood owning the Clarice Cliff name, and from 1992 to 2002 they produced a range of reproductions of the highly sought 1930s pieces.
Susannah Margaretta "Daisy" Makeig-Jones (1881–1945) was a pottery designer for Wedgwood.
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After an introduction from a relative to the managing director of Cecil Wedgwood, she joined the firm in 1909.
She was known for journalism, essays, novels and biographies, particularly as an authority on Wedgwood and its creator.
Emile painted a variety of ceramic pieces, many for the Wedgwood pottery company.
Bossons’ career began as a painter or ceramic painter at Mason’s Ironstone (a subsidiary of Wedgwood) in Hanley, Stoke-on-Trent.
The founding bishops of the Liberal Catholic churches were J. I. Wedgwood of the Wedgwood China family and the Theosophist Charles Webster Leadbeater.
Wiltshire began his career by setting up his own Art Studio in 1988, employing a team of artists to create unique figurative works, including fine figurative work for Wedgwood potteries, figurative work for BBC Television portraying the work of artist Quentin Blake and Roald Dahl, and head portrait work for Spitting Image.
Below the breast is a Wedgwood medallion which Colin Eisler has identified as Poor Maria, possibly a reference to the life of the duchess, which was later destroyed because of the Revolution.
Also there was a showroom for Waterford Crystal and Wedgwood chinaware; now occupied by Kent & Curwen (Gentleman's Club Sports wear).
They lived in an apartment in the Wedgewood Estates in the Wedgwood, Seattle neighborhood.
University Prep, formerly known as University Preparatory Academy and now popularly known as U Prep, is an independent, coeducational middle and high school located in the Wedgwood neighborhood of Seattle, Washington.
The church is located in the Wedgwood, Seattle neighborhood at the corner of 35th Avenue NE and 68th Street.
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The district of Wedgwood, Seattle located approximately two miles Northeast of I-5 and 6 miles Northeast of Seattle’s Downtown, is a middle class residential Seattle neighborhood.
Josiah Wedgwood III (1795–1880), son of Josiah II, was a partner in the firm from 1825 until he retired in 1842.
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Josiah Wedgwood V (1899–1968), grandson of Clement Wedgwood and son of Josiah Wedgwood, 1st Baron Wedgwood, was managing director of the firm from 1930 until 1968 and credited with turning the company's fortunes around.
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He was succeeded as managing director by Arthur Bryan (later Sir Arthur), who was the first non-member of the Wedgwood family to run the firm.
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From 1 January 2001, the Deputy CEO was Tony O'Reilly, Junior, who was appointed CEO in November of the same year and resigned in September 2005.
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He married Lucie Gibson in 1888, and they had two daughters, one of whom married a brother of the Wedgwood pottery designer Daisy Makeig-Jones;
The factory at Chantilly produced some wares in the Vincennes-Sèvres taste but, especially after its sale in 1781 by Dame Adam, was in rapid decline towards the end of the Ancien Régime, squeezed between the competition of Sèvres at the high end of the market, and, after the Anglo-French commercial treaty of 1788, by Wedgwood cream ware for table wares.
Peart continued to work for Wedgwood, and also carved a marble chimneypiece for the Marquess of Buckingham's London residence in Pall Mall
In the 1950s she created designs for Steuben Glass, Wedgwood plates, several stained glass windows for churches in New England and for the transept windows of Worcester Cathedral, England.
Wedgwood now enrolled as a doctoral candidate at the Sorbonne, combining his studies with experiments at the works of a celebrated organ builder and activities at Russian Orthodox and Old Catholic churches.
A. L. Rowse, Bishop Thornborough: A Clerical Careerist, in Richard Ollard and Pamela Tudor-Craig (editors), For Veronica Wedgwood These Studies in Seventeenth-Century History (1986)
John Allen Wedgwood (1796–1882), usually known as Allen Wedgwood, vicar of Maer, Staffordshire
Commemorating the landing of the First Fleet in Botany Bay, the Sydney Cove medallion was made by Josiah Wedgwood after he was given a sample of clay from Sydney Cove by Sir Joseph Banks, who had received the sample from Governor Arthur Phillip.
It is the burial place of John Wedgwood who died in 1860 and his wife; Wedgwood was a preacher in the Primitive Methodist church.
Lustreware became popular in Staffordshire during the 19th century, where it was also used by Josiah Wedgwood, who introduced pink and white lustreware simulating mother o' pearl effects in dishes and bowls cast in the shapes of shells, and silver lustre, introduced at Wedgwood in 1805.
the location of Maer Hall, home of the pottery manufacturer Josiah Wedgwood II.
Its grand ceiling – with Neptune, shells and mermaids in high relief plasterwork of Wedgwood style – is said to be the work of Roberts of Oxford circa 1725, though some accounts attribute it to carver William Perritt.
Their illustrations were directly copied by Josiah Wedgwood and other pottery manufacturors, and fostered the Neoclassical taste for outline drawing and engraving adopted by John Flaxman and others.
Alongside commercial work for Wedgwood Pottery, Shell Petroleum, Guinness and The London Underground, he also painted many members of London’s fashionable Bright Young Things - including writer Edith Sitwell and photographer Cecil Beaton.
He restored the buildings, according to his obituary "hiring Wedgwood, Turnbull & Asser, Crabtree & Evelyn to decorate its rooms".
The historian David Cannadine, in the History of Parliament Trust's 2006 annual lecture on 21 November 2006, noted that while Wedgwood and Namier are predominantly responsible for the foundation of the History, they were quite contrasting characters (Wedgwood a gregarious and high-spirited English aristocrat of advanced Liberal views, Namier a Polish Jew who was joyless and a strong Tory).
Wedgwood, intent to have a waterway connection to his potteries, managed to send his proposal to parliament, with the help of two of his friends, Thomas Bentley, and Dr. Erasmus Darwin.
The Barlaston estate was acquired by Wedgwood in the 1930s, and the college opened in February 1945 in Barlaston Hall, a country house.
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There is also a similarly named building in Burslem, the Wedgwood Institute, which is sometimes called the "Wedgwood Memorial Institute".
Nearby is Wedgwood Hall, and the station also serves the village of Trentham, near Stoke-on-Trent.