The song was the band's first single, and both tracks appear on their second album Multi Kontra Culti vs. Irony, released on 17th of September 2002.
Edwin San Juan (born February 24, 1969) is a Filipino American actor and comedian who is known for sharing his multicultural life experiences, his observational humor, word play and for poking fun at ethnic stereotypes.
The original vinyl album contained a comic book about the band, featuring artwork parodying Picasso's Guernica (renamed "Gwarnica" here) and poking fun at the "this is your brain on drugs" commercials ("This is your brain on Gwar...").
Another variation has fried bacon as well as cheese in the middle, referred to as a "Mary Shelley" (Author of Frankenstein) when the bacon is visibly poking out from the sides of the burger.
Bushido and Oliver Pocher poking fun at German celebrities, including Sarah Connor, Mario Barth, Sido and Detlef "D" Soost.
He travels to British Columbia (actually filmed in San Francisco, poking fun at movies like Rumble in the Bronx that disguise BC locations to look like US cities), and, with a new band of friends, tries to retrieve the stolen artifact.
"Marvelous Marv" later became one of the original spokesmen for Miller Lite beer in the mid 1970s, poking fun at himself in a series of TV commercials.
In British humor, the genre of "sick jokes" is often used to shock by poking fun at taboo or as a reaction against political correctness.
The credit "A big thanks to Martin for passing out" is a line poking fun at longtime band friend Martin Tamburovich, who was the lead singer of a short-lived punk/new wave quartet called The Reactionaries with Boon, Watt, and Hurley, and who wrote the lyrics to "Validation".
Even as early as 1999 The Tech, MIT's oldest and largest newspaper provided a stellar review by Contributing Editor Dan McGuire of Abram's first printed collection, Is It Not Nifty? Poking fun at the Internet's stereotypical association with pornography, McGuire introduces Sluggy Freelance as a cutting edge alternative endeavor on this virtual frontier and the relative artistic freedom it allows its creator, and ability to speak well to the culture of its audiences.