At first greeted on the council as a successful member of the business community, Daly soon found he had enemies among Portland's establishment, most notably his former employer, the Oregonian. Yale University historian, Robert D. Johnston, describes the newspaper's view of him as that of "devil incarnate," by the midpoint of his term on the council, opposing what they termed his "socialistic plans and rosy dreams," an ironic turn of phrase given the city's nickname, the City of Roses.
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While Phinney often used free-lance designers, like Will Bradley, T.M. Cleland, Walter Dorwin Teague, Frederic Goudy, and Oz Cooper, the bulk of ATF’s catalog through the 1930s was the creation of Morris Fuller Benton.
Brainard was awarded the Charles P. Daly Medal by the American Geographical Society for his arctic exploration in 1926, and in 1929 was awarded The Explorers Club Medal.
Similarly, Herman Daly (1991, p. 118) states It is true that "In 1969 a dollar's worth of GNP was produced with one-half the materials used to produce a dollar's worth of 1900 GNP, in constant dollars."
In the episode, Felix goes to Hollywood and meets Charlie Chaplin, Douglas Fairbanks, William S. Hart, Will Hays, Snub Pollard & Ben Turpin, in the first animated cartoon to feature caricatures of Hollywood celebrities.
They were named by Byrd for Will H. Hays, former head of the Motion Picture Producers and Distributors of America.
Pressure was also successfully exerted on William Hays of the Motion Picture Association of America to ban the film in the United States and the French authorities also refused to screen it.
Hess was attorney for Will Hays and the Motion Picture Producers and Distributors of America.
Michael J. Daly (1924–2008), United States Army officer and Medal of Honor recipient
They hired former Postmaster General Will H. Hays as censor to the industry; the Hays Code would govern how explicit a motion picture could be for decades to come.
:For the U.S. Director of the Bureau of Engraving and Printing, see Peter H. Daly.
After a year in office, he resigned to become the choice of the Hollywood movie studios to become the first president of the Motion Picture Producers and Distributors of America (MPPDA) (1922–45).
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In the postwar period, this organization would be renamed the Motion Picture Association of America (MPAA).