In Blake's mythology, Albion's fall from a divine androgyny to a sexual nature divides him into the Four Zoas, their spectres (representative of hypocritical morality), and their emanations (female halves).
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In the Paradise Lost illustrations, Adam is analogous to the fallen Albion, Satan to Adam's Spectre and Eve to Adam's emanation.
William Shakespeare | William Laud | Greek mythology | William Blake | William | William III of England | William Morris | William McKinley | William Howard Taft | William Ewart Gladstone | Norse mythology | William the Conqueror | William S. Burroughs | William Shatner | William Faulkner | William Randolph Hearst | William Wordsworth | William Tecumseh Sherman | William Hogarth | Prince William, Duke of Cambridge | William Penn | William Jennings Bryan | William Gibson | William Wilberforce | William James | William Makepeace Thackeray | Fort William | William Hanna | William Hague | William III |
Publication of William Blake's prophetic book Jerusalem: The Emanation of the Giant Albion (colored engravings) is completed in London (commenced 1804).
Ailamari returned to the Tangomarkkinat in 2006, not to compete, but to take part in the show Valkokengas tanssi ja soi (The silver screen dances and plays) along with Mira Kunnasluoto, Erkki Räsänen, and Rami Rafael; and in a church concert, where she sang Jerusalem (not the unofficial English national anthem by William Blake).
Leonidas Aretakis has himself cited a few lyrical references, amongst others some figures in the Romantic and Neo-romantic movements, such as Friedrich Hölderlin, William Blake, Lord Byron, Rainer Maria Rilke and Georg Trakl, and the sometimes dreamlike storytelling of H.P. Lovecraft and Jorge Luis Borges.
Apesos's painting, while indebted to the American realist tradition, is informed by a fascination with mythology and archetypical themes; in this respect, his work exhibits striking parallels with the visual art of the Romantic poet and artist William Blake.
He and his wife Harriet Mathew are most notable for their friendship and support of John Flaxman and William Blake and their gathering of intellectuals and artists salon in their house at Rathborne Place.
At the Gates of Paradise is an album by John Zorn released on Zorn's own label, Tzadik Records, in 2011 and featuring music inspired by William Blake and the Gnostic texts from the Nag Hammadi library.
Examples of nonviolent radicalism include Martin Luther King, Jr., Toyohiko Kagawa, Leo Tolstoy, Gerrard Winstanley, William Blake and Gustavo Gutiérrez, whilst examples of violent radicalism include the Münster Rebellion, Thomas Müntzer and Camilo Torres Restrepo.
Edward is also the protagonist of William Blake's early drama Edward the Third, part of his Poetical Sketches, published in 1783.
He is best known for his multi-volume gnosticism series, including Gnostic Return in Modernity and Gnostic Apocalypse: Jacob Boehme's Haunted Narrative. Rehabilitating a project attempted in the nineteenth century by a leader of the Tübingen school of theology, Ferdinand Christian Baur, O'Regan attempts to identify a gnostic structure or "grammar" that can be traced through sources and authors as diverse as Valentinianism and William Blake.
His academic works include consideration of biblical interpretation in liberation theology in Latin America, the biblical interpretation of William Blake, and the Book of Revelation.
In the conclusion of the video, books are burnt and, in the final shot, the text of William Blake's "And did those feet in ancient time" is destroyed like rubbish.
"....Along with William Blake, cultural influences that inform the continued work include Dante, Jonathan Swift and even David Lynch ... Another influence, visually, would appear to be Marcel Dzama, who also takes inspiration from Dante. Both convincingly portray the fragility of human characters having embarked, like Tintin... on an adventure into the unknown..."
Over the years, Castellón’s work as an illustrator would eventually include Bulfinch's Mythology, The Story of Marco Polo, and The Little Prince.
Having had a close affinity with Colin Ward and Vernon Richards it has produced much of their extensive back catalogue, in addition to titles by Clifford Harper, Nicolas Walter, Murray Bookchin, Gaston Leval, William Blake, Errico Malatesta, Harold Barclay and many others, including 118 issues of the journals Anarchy, edited by Colin Ward and 43 issues of The Raven.
De Ville examined an enormous number of heads including those of many well-known figures including John Elliotson, Hermann Prince of Pückler-Muskau, Harriet Martineau, Charles Bray, George Eliot, William Blake, Richard Dale Owen, Richard Carlile, the Duke of Wellington and Prince Albert.
Leade's spiritual and literary legacy can be found in Radical German Pietism, particularly in the Moravians under Nicolaus Ludwig Zinzendorf, in German Romanticism, and in the works of Emanuel Swedenborg, William Law and William Blake.
“Jay Hails has been inspired by the literary works of folks like Oscar Wilde, William Blake, and Milan Kundera. These influences explain Hails’s capacity to stretch excruciatingly honest lyrics across aching melodies … Remember the name: you’ll be hearing it often.” - Chart (magazine), Toronto
The greatest influence on the work of his maturity was that of the Old Masters—among them Tintoretto, Turner, Blake, Goya, Ryder and Delacroix.
The title is taken from a William Blake quote which is fully displayed at the film's end.
The song includes a quote from the Toccata of Charles-Marie Widor's Symphony for Organ No. 5 and Horn's lyric quotes the oft-used phrase "dark Satanic mills" from a William Blake poem.
The book was first published by Joseph Johnson in 1788; a second, illustrated edition, with engravings by William Blake, was released in 1791 and remained in print for around a quarter of a century.
Certain representative works and artists are selected for detailed analysis, such as William Shakespeare's The Tempest, Francis Coppola's Apocalypse Now, William Blake, Eden Ahbez, the 13th Floor Elevators, the Mel Lyman Family, Terence McKenna, Grateful Dead, Philip K Dick, Father Yod & The Source Family, and several more.
Minton is a highly dramatic baritone who tends to specialize in literary texts: he has sung lyrics by William Blake with Mike Westbrook's group, Daniil Kharms and Joseph Brodsky with Simon Nabatov, and extracts from James Joyce's Finnegans Wake with his own ensemble.
In January 2009, Kneebone spoke to the Tate Etc. magazine about William Blake's work The Primaeval Giants Sunk in the Soil (1824–1827), from Illustrations to Dante's Divine Comedy, 8th circle of Hell.
These proved more influential than his Blake-flavoured verse, which has consistently been criticised (and scarcely defended, except by Andy Croft).
Before leaving Jane, Red John recites the first stanza of William Blake's poem, The Tyger.
Richard Alexander Arnold is the Eminent Professor and Chair of English at Alfaisal University and an author and editor specializing in rhetoric, English literature, Canadian literature, and Medieval literature (focusing on Chaucer, John Milton, William Blake, Samuel Johnson, and Alexander Pope).
Recent works also include Brisley’s disarmingly sober watercolour landscapes from a series entitled Jerusalem, a fitting reference to William Blake’s lauded poem and substitute national anthem in which trees and foliage seem to sprout and grow from amidst the rubble.
The book examines the characters of William Blake's Jerusalem as influenced by their psychogeography.
The Four and Twenty Elders Casting their Crowns before the Divine Throne is a pencil drawing and watercolour on paper by the English poet, painter and printmaker William Blake.
The Ghost of a Flea is a miniature painting by the English poet, painter and printmaker William Blake, held in the Tate Gallery, London.
In 1807 he sent to the Royal Academy the well-known portrait of William Blake, now in the National Portrait Gallery, London, which was engraved in line by Luigi Schiavonetti, and later etched by William Bell Scott.
"Till we have built Jerusalem" is a line from the William Blake poem And did those feet in ancient time.
The gallery focuses on modern artists, and the art collections include works by Henry Moore, Barbara Hepworth, Ford Madox Brown, Eduardo Paolozzi, Francis Bacon, William Blake, David Hockney, L. S. Lowry, Paul Gauguin, Vincent van Gogh and Pablo Picasso, and a fine collection of works by J.M.W. Turner.
Blake did not give titles to the illustrations and the most prominent text in the margins is used by some scholars (such as S. Foster Damon) as a title for a given illustration.
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Ralph Vaughan Williams based his ballet Job: A Masque for Dancing (first staged in 1931) upon the Illustrations.
Bolcom's setting of William Blake's Songs of Innocence and of Experience, a three-hour work for soloists, choruses, and orchestra culminated 25 years of work on the piece.
A stained-glass window depicting William Blake, dedicated to the memory of Hamling, may be found in St. Mary's Church, Battersea.
Witness Against the Beast: William Blake and the Moral Law is a 1993 book by the British historian E. P. Thompson in which Thompson contextualizes the work of the otherwise enigmatic poet and painter William Blake.