In this work, a net of cast aluminum letters forming a passage from Henry David Thoreau's Walden stretches across the museum's atrium and pours down into an illegible pile of letters on the floor below.
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Using his background in print-making, in May and June 1990 Xu Bing and a team of art students and help from local residents began a monumental project: creating a rubbing from a section of the Great Wall at Jinshanling.
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In 1990-91, Xu had his first exhibition in the United States at the University of Wisconsin–Madison's Elvehjem Museum of Art (now Chazen Museum of Art) including his installations Book from the Sky and Ghosts Pounding the Wall.
Bing Crosby | Bing | Dave Bing | Xu Bing | Chandler Bing | How the West Was Won (Bing Crosby album) | William Garnet "Bing" Coughlin | Shao Bing | Bing (search engine) | Bing (company) | Yi-Bing Lin | The Bing Boys are Here | Steve Bing | Richard Bing | Lin Bing | Jonathan Bing | Bing Maps showing Streetside's view on Westminster Bridge | Bing Lee | Bing & Grøndahl | Bing & Bing | Ba Da Bing Records | Bada Bing | Anine Bing |
Speakers at public talks and symposia have included Ai Weiwei, Tobias Berger, David Elliott, Htein Lin, Huang Yongping, Yuko Hasegawa, Jun Nguyen-Hatsushiba, and Xu Bing.
Yin Mei has pursued notable collaborations, including work with visual artist Xu Bing and composer Tony Prabowo on Empty Tradition/City of Peonies (1998), and visual artist Cai Guo-Qiang and composer Robert Een on /Asunder (2001).
In 2007, the publication took part in the Documenta 12 magazines project, launched its first limited edition print by Xu Bing, and has since offered limited edition prints and photographs by some of today’s most important Chinese artists, including Wang Guangyi, Rong Rong & Inri.
His New Suyuan Rock Manual was showcased in an exhibit with artists who also produced books such as: Xu Bing, Hong Lei, and Lu Shengzhong.