Many of Maruo's illustrations depict graphic sex and violence and are therefore referred to as contemporary muzan-e (a subset of Japanese ukiyo-e depicting violence or other atrocities.) Maruo himself featured in a 1988 book on the subject with fellow artist Kazuichi Hanawa entitled Bloody Ukiyo-e (江戸昭和競作無惨絵英名二十八衆句), presenting their own contemporary works alongside the traditional prints of Yoshitoshi and Yoshiku.
It is said that Yoshitoshi's work of the "bloody" period has had an impact on writers such as Jun'ichirō Tanizaki (1886–1965) as well as artists including Tadanori Yokoo and Masami Teraoka.
Sharam and Dubfire were a natural choice for the series having carved out a formidable reputation for themselves via DJ sets, their Yoshitoshi label and remix work.
At Takeda Tadakatsu's death, Nakamura Aikisai Okichi (born Nakamura Yoshitoshi) received the Takeda's Makimono and became the 2nd head martial art teacher of the Genyosha dojo.