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Henry Alfred Clauser was a guitarist, songwriter and engineer featured on radio shows in Des Moines, Iowa and Tulsa, Oklahoma.
After The Boomtown Rats broke up in 1986, Roberts worked with Simply Red, Orchestral Manoeuvres in the Dark and Flesh For Lulu in the role of sound engineer on tours in the UK and US.
Beginning in 2001, award recipients included the producers, engineers, and/or mixers associated with the nominated work in addition to the recording artists.
The song was recorded at Belmont Mall in Belmont, Indiana, was produced by Mellencamp (under the alias "Little Bastard") and Don Gehman, engineered by Gehman and Greg Edward.
Moses Schneider first worked as an assistant engineer during the mid and late eighties at Sinus Studio and from 1987 until 1989 in the Hansa Tonstudio in Berlin where he received one of his first international credits as engineer on Pixies' "Bossanova".
In 2002, Sinthetix, Cause 4 Concern, and Silent Witness & Break took Konflict's hard edge, minimalist approach with emphasis on colder, precision beat engineering, harder stabs over the bassline, sharper mixdowns and simultaneously, hastening the advancement of the style's sound design between the periods of 2002 and 2005 along with Gridlok, Corrupt Souls, Noisia, Phace, and The Upbeats.
The album was recorded, mixed and mastered at Fear No One Studios by Emiliano Natali, with the sound consulting of Marc Urselli (founder of The M.E.M.O.R.Y. Lab and sound engineer for artists like John Zorn, Laurie Anderson, Lou Reed, Eric Clapton) at the Eastside Sound Studios in New York.
Fisher took a job at United Artists Records, where he became an recording engineer and recorded artists such as John Buck Wilkins, Rita Coolidge, Brenda Russell, Sly Stone, Bobby Womack, The Curtis Brothers, Waylan Jennings, Pablo Cruz, and Michael Jackson.
The band (along with Freese) also went to Plus Four Recordings Studios, in Sherman Oaks, California with engineers Sandy Solomon and Bernie Zwass in June 1995 to record their cover of Tom Waits' "Christmas Card from a Hooker in Minneapolis" for the compilation album Step Right Up: The Songs of Tom Waits.
Joe "The Butcher" Nicolo – engineer, mix on "Mr. Big Dick", "Gangster Boogie II", "This Is It (Ain't Gonna Rain)", "Another Poem", "Same White Bitch (Got You Strung Out On Cane)", "Treacherous", "Black Man"
Produced by Linus of Hollywood & Jaret Reddick; Engineered by Peter McCabe at Wire Recording Studio, Austin, TX; Assisted by Joey Benjamin; Studio Assistant: Will Krienke; Studio Interns: Matt Ralls & Kent Chandler; "No Hablo Inglés" Engineered by Casey Diiorio at Valve Studios, Dallas, TX; Additional Recording at Valve Studios, Dallas, TX and Kingsize Soundlabs, Los Angeles
Produced by Dennis MacKay and Judas Priest, and engineered by Neil Ross, except "Better By You, Better Than Me", produced by James Guthrie and Judas Priest, and engineered by Ken Thomas and Paul Northfield
Andrew Weatherall formed the group with engineers Jagz Kooner and Gary Burns and became responsible for the Sabresonic warehouse raves.
The cart machines at the North studio were replaced with Sony minidisc systems and a non-linear computer based audio editing program.
She left her audio engineering career to concentrate on songwriting and performing, and in 1992, with Bono acting as the benefactor of her first recording session, Mick Harvey played on and produced a four-song demo of her original material.
He is an Audio Engineer, having received the Bachelors Degree In Multimedia, Audio Engineering, Film and Webdesign from SAE World Headquarters, Byron Bay, New South Wales.
Engineering—A team of engineers responsible for software pipelines, animation tools, audio engineering and development & support of internal tools.
Graduated Cherry Hill High School East, 1992; graduated Berklee College of Music in 1995 with a degree in audio engineering and music production.
He moved to the United States and attended Full Sail University in Orlando, Florida for recording/audio engineering, which is where he met fellow Madina Lake bandmate Dan Torelli.
After The Breakouts, Metaform met 4X-ampL (who now resides in Montreal) in an audio engineering class.
John M. Eargle, Chris Foreman, Audio engineering for sound reinforcement, Hal Leonard Corporation, 2002, ISBN 0-634-04355-2.
The School of Audio Engineering (SAE) recommends the SM57 (along with other makes and models) for four roles in a drum kit: kick drum, snare drum, rack toms, and floor tom.