Vol 1: The Aural Underground | Phnom Aural | Aural Vampire | Aural Sculpture |
(1948–2002) was an American cellist in the strong Central European, Berlin, and Hungarian traditions, bringing to the public a clear aural vision of structure in the music he played, while channeling the emotional character of that music into the hearts of his listeners.
Aural Vampire released their full-length self-released debut album Vampire Ecstasy, in 2004 and released one online single, "Death Folder", in 2005, which is available on their website.
Such a skill set would involve years of training, an extraordinary memory and numeracy, and/or acute visual or even aural observation, as in the case of wheel clocking in Roulette.
In 1940 he moved to join the Medical Research Council team at the National Hospital for Neurology and Neurosurgery in Queen Square, London as Assistant Aural Surgeon and later Aural Physician, which post he held till his retirement in 1967.
The band claimed that the song's lyrics were akin to an aural Rorschach test and that people only heard in it what they wanted to hear, although this did not prevent persistent allegations that the lyrics alluded to heroin (although in an interview with Channel 4, drummer Jet Black quipped it was a song about Marmite).
His major scientific fields of interest are spatial hearing, binaural technology, aural architecture, perceptual quality, speech technology, virtual environments and tele-presence.
He is currently the Charles T. Hazelrigg Associate Professor of Music at Centre College in Danville, KY, where he teaches music theory, composition, aural skills, and world music.
After leaving Cambridge Sheild held posts at St George's as anaesthetist and Westminster Hospital, culminating in a seven-year period at Charing Cross Hospital where he was assistant surgeon, aural surgeon, demonstrator of anatomy and lecturer in practical surgery.
Most aural and theory concepts are taught with the aid of the philosophies of music by Zoltán Kodály, in which hand signs are used as a way of representing musical notes by holding the hand in a certain position for each note.
The frequency and the inter-aural disparity are determined by the center of gravity of the co-ordinates of the receptive field's pixels in the image (see "There is something out there: distal attribution in sensory substitution, twenty years later"; Auvray M., Hanneton S., Lenay C., O'Regan K. Journal of Integrative Neuroscience 4 (2005) 505-21).