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More recently, many outstanding harpsichordists have appeared, such as Trevor Pinnock, Kenneth Gilbert, Christopher Hogwood, Jos van Immerseel, Ton Koopman, David Schrader and Alexander Frey, with many of them also directing a baroque orchestra from the instrument.
Telemann: Hamburger Admiralitätsmusik; Overture in C (Mieke van der Sluis (soprano), Graham Pushee, Rufus Müller (tenor), Klaus Mertens, David Thomas, Michael Schopper (bass); Alsfeld Vocal Ensemble, Bremen Baroque Orchestra; conductor: Wolfgang Helbich).
Bartolo Musil has worked with the Venice Baroque Orchestra, conducted by Andrea Marcon, the Wiener Klangforum, the Ensemble Kontrapunkte, the Moscow Symphony Orchestra, the SWR-Orchester, the Orpheus Kammerorchester, the Savaria Baroque Orchestra, Armonio Tributo, conducted by Lorenz Duftschmid, and directors such as Pet Halmen and Achim Freyer.
Black Forest Bluegrass is a recording of the music of Peter Schickele under his comic pseudonym of P. D. Q. Bach, featuring the composer and "a bluegrass band with a Baroque orchestra, a wind octet with toys, a commercial with a snake — this album has it all!"
As a soloist, she has performed with orchestras including the Royal Philharmonic Orchestra, the Royal Opera Orchestra of Stockholm, the Drottningholm Baroque Orchestra and Kroumata (percussion-ensemble), with the Eric Ericson Chamber Choir, and with conductors such as Alan Gilbert, Siegfried Köhler and Laurence Reenes.
Verbruggen made her conducting debut recently with the Portland Baroque Orchestra in Portland, Oregon.
Among his performances are Mahler’s ”Lieder eines fahrendes Gesellen” with the Academy of St. Martin in the Fields in London, Bach’s ”Christmas Oratorio” with the Drottningholm's Baroque Orchestra in Uppsala and Rossini’s ”Petite Messe Sollenelle” in Köln Philharmonie, Kverno's "St. Matthew Passion" in New York and Manoa in Handel's "Samson" at the London Handel Festival.