Since the time of pre-Roman civilisation, the village of Condé-en-Brie was inhabited.
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For the interior decoration he invited fashionable painters of the time - Lemoyne, his disciple Boucher, Watteau and his disciple Lancret and last but not least Jean-Baptiste Oudry.
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Highlights include the "Watteau" wing and its recently discovered frescoes, Richelieu's bed chamber, the magnificent "trompe-l'œil" effects of Servandoni, the "little private apartments" and the outstanding drawing room decorated by Oudry.
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The Château de Condé is a private estate in Condé-en-Brie, Aisne, France, set in its park with three-hundred-year-old trees, on the Champagne route and 100 km from Paris.
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Its sumptuous 17th and 18th century interiors were created by the most prestigious artists (Watteau, Boucher, Oudry, Servandoni and others) at the behest of the Princes of Savoy and then the Marquis de la Faye.
Since he had lost the Château de Condé to Jean-François Leriget de La Faye when it was confiscated from his family by Louis XIV) on March 6, 1719, he established himself in the hôtel de Soissons, which he transformed, with his wife who had followed him there, into a "sumptuous gaming house" which for a time sheltered the economist John Law.
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When he acquired the ancient château de Condé in 1719, he commissioned the most fashionable artists of his time and the architect Giovanni Niccolò Servandoni for elaborate improvements.
Claude de Lorraine, duc de Guise (20 October 1496, Château de Condé-sur-Moselle, – 12 April 1550, Château de Joinville) was a French aristocrat and general.