Full Metal Jacket | My Morning Jacket | Nehru jacket | Monkey Dust | Jacket | Dust Bowl | Chuckles Bites the Dust | Red Dust | Jacket, Missouri | Full Metal Jacket (film) | Dust in the Wind | Daughters of the Dust | Blue Jacket | Blossoms in the Dust | A Handful of Dust | A-2 jacket | The Jacket | The Dust Diaries | Red Jacket | Red Dust (novel) | Red Dust (2004 film) | M-1941 Field Jacket | jacket | Intruder in the Dust | House dust mite | Flak jacket | Flags in the Dust | Eisenhower jacket | Dust storm | Dust Muhammad |
The books are sold in a transparent rhodoïd dust jacket, and inserted in a white printed cardboard slipcase, although multiple volumes are often sold in a single slipcase.
When Stratemeyer approached Grosset & Dunlap with his concept for Nancy Drew in 1930, he submitted dust jacket art by both Tandy and Ernest Townsend for the publishing house's consideration.
British artist Denis McLoughlin served as art director for Boardman Books and provided many of the dust jacket illustrations.
Back to the Stone Age, by Edgar Rice Burroughs (dust jacket by Sam Sigaloff and seven plates by John Coleman Burroughs, 1963)
He also created dust jacket illustrations for the first editions of several Wheatley novels, including The Devil Rides Out (1935), Strange Conflict (1941), The Haunting of Toby Jugg (1948), and To the Devil a Daughter (1953).
His experience included painting the first edition dust jacket for Margaret Mitchell's Gone with the Wind and ghosting the newspaper strip Reg’lar Fellas for artist Gene Byrnes.
The rear flap of the dust jacket was devoted to a self-portrait of Kate O'Sann, and a brief biography of her which reads in part, "Illustrator Kate O'sann, a native of Missouri, grew up in New York City, where she received her Bachelor of Arts degree from Hunter College and was a member of Phi Beta Kappa. She makes her home in Orlando, Florida, with her husband, William O. Chessman, and 'two large and vocal children' - William and Kathy."
The lorgnette was employed as a prop and affectation by early 20th century trial lawyer Earl Rogers, and one is featured on the front cover dust jacket of his biography, Final Verdict, by his daughter Adela Rogers St. Johns.
Following this, from 1997 to 2002, the Masterworks line was revived, when some of the original 27 went back into print with a new style of dust-jacket designed by Comicraft, and without the chronological numbering on the spine.
The book was published using funds from a successful Kickstarter campaign with contributors' names shown on the dust jacket.