He made numerous shorter works for Scottish Ballet and other companies, including the lyrical Five Rückert Songs (1978).
Rückert-Lieder | Lieder | lieder | Lieder eines fahrenden Gesellen |
Together with the tenor Steuart Wilson, Fox Strangways made English translations of the lieder of Schubert and Schumann.
During his career, Sistermans premiered important compositions by Johannes Brahms and Gustav Mahler, and also had lieder dedicated to him by Hans Pfitzner, Eugen d'Albert and Alexander von Zemlinsky.
Syrian pianist Gaswan Zerikly's project "Arabic Lieder", recorded with the soprano Dima Orsho puts Arabic poetry to western Lieder and song models, with Arabi influences.
Aubrey W. Pankey (Pittsburgh, 1905 - Teltow, East Germany death by automobile accident 1971) was an American baritone and noted Lieder singer in 1930s Germany.
He won a Fulbright Fellowship in 1962 which enabled him to pursue further studies in the lieder and oratorio repertoire in Stuttgart, Germany with Hermann Reutter, Lore Fischer and Elinor Junker-Giesen.
Maria Hofer - Toccata (piano solo) Ballada, for violoncello and piano (with Euden Prochak) Lieder (with Patrizia Cigna, Wolf Matthias Friedrich)(noncommercial compilation)
Besides a large selection of mélodies by Fauré, Duparc, Saint-Saëns, Caplet and many others, including German Lieder, Panzéra made a celebrated complete album of Schumann's Dichterliebe with Alfred Cortot at the piano in 1935.
He was attracted to the singing of Elena Gerhardt, whom he heard sing in London and developed an interest in lieder, especially those of Johannes Brahms, Franz Schubert, Robert Schumann.
Clarence Lieder (August 15, 1906-January 1969) was a mechanic and armorer for Chicago's underworld and Depression-era criminals, as well as the primary competitor to Joe Bergl.
As a solo performer, she is particularly associated with composer Gaswan Zerikly in his projects "Arabic Lieder," and "Syrian Music Project" for the Damascus Opera House.
Born in Port-au-Prince, Woolley began his studies in his native city with Carmen Brouard (piano and harmony), Élisabeth de Pesquidoux-Mahy (singing), Werner Jaegerhuber (German opera/lieder), Raoul Nargys (acting), and Henriette Perret-Duplessis (singing).
Among the composers who set his poetry to music are Schubert, Robert and Clara Schumann, Brahms, Josef Rheinberger, Mahler (song cycles Kindertotenlieder, Rückert-Lieder), Max Reger, Richard Strauss, Zemlinsky, Hindemith, Bartók, Berg, Hugo Wolf and Heinrich Kaspar Schmid.
The myth was put into poetical form by the novelist and poet Jens Peter Jacobsen; a German translation of his poems forms the text of the huge cantata Gurrelieder by Arnold Schoenberg.
Invited by Walter Fink, he was the 17th composer featured in the annual Komponistenporträt of the Rheingau Musik Festival in 2007 in chamber music and a symphonic concert that he conducted himself, including works of Claude Debussy and Robert Schumann along with his Lieder after Georg Trakl and Gesänge der Frühe on words of Schumann and Friedrich Hölderlin.
Among his better written works was an edition of tales by Somadeva Bhatta known as Kathâsarit-sâgara, and an edition of songs by the Persian lyric poet Hafez (Lieder des Hafis).
The music was written by Jule Styne, adapted from Felix Mendelssohn’s Op. 62 No. 6, Allegretto grazioso in A major (Frühlingslied, or Spring Song) in Book 5 of Lieder ohne Worte (Songs Without Words), with the lyrics by Frank Loesser.
From these eight poems, Nietzsche used six, in marginally modified form, for the Lieder des Prinzen Vogelfrei, the appendix for the second edition of Die fröhliche Wissenschaft in 1887.
It was in the 1570s that his volumes of three-voice Teutsche Lieder (German songs) appeared, printed by the Gerlachs of Nuremberg; they sold very well, were reprinted several times, and were arranged in tablature by several composers.
He accompanied the master courses of Hermann Baumann and Paul Tortelier and lead the Lieder and oratorio class at the Bruckner Conservatory Linz.
Osterwald, together with the cathedral organist Engel in Merseburg, prepared an edition of the Geistlichen Lieder of Johann Frank, providing new texts.
He is especially interested in twentieth century music, and, as accompanist, he initiated and let a series of lieder recitals, featuring music by such composers as Schoenberg, Pfitzner, Korngold, Rihm, Hindemith, Bridge, Holst, Rebecca Clarke, Crumb and Argento.
First published in 1979 and updated in 1996, the book gives the full texts of most of the important lieder by Beethoven, Schubert, Schumann, Wagner, Brahms, Wolf, Mahler and Strauss.
She made other appearances with the Santa Cecilia Orchestra in Bartók's Bluebeard's Castle, in Verdi's Requiem, and Rossini’s Petite messe solennelle; and with the RAI Orchestra in Peter Grimes and Britten's War Requiem, and Schönberg's Gurre-Lieder.
2009 - Missa Paschalis, Motetten and Lieder. The Choir of Sidney Sussex College, Cambridge, QuinEssential, Andrew Lawrence-King (Harp), Christopher Watson (Tenor), Robert Macdonald (Bass).
She also performed in lieder recitals, her regular accompanist being Anthony Bernard.
Among his performances are Mahler’s ”Lieder eines fahrendes Gesellen” with the Academy of St. Martin in the Fields in London, Bach’s ”Christmas Oratorio” with the Drottningholm's Baroque Orchestra in Uppsala and Rossini’s ”Petite Messe Sollenelle” in Köln Philharmonie, Kverno's "St. Matthew Passion" in New York and Manoa in Handel's "Samson" at the London Handel Festival.
Aside from Grieg Scandinavian examples include Ture Rangström's Swedish cycle Häxorna ("The Witches") (1938) Den Utvalda ("The Chosen"), Madetoja's Syksy-sarja (Autumn Song Cycle), Selim Palmgren's En sällsam fågel (a lonely bird) and Aamun autereessa (in the morning mist), Danish composer Peter Lange-Müller's orchestrations of his songs, and Erik Norby's Rilke-Lieder for mezzo-soprano and orchestra.
He trained with Omar Ebrahim at Trinity College of Music, London, and has also participated in masterclasses exploring Lieder and melodies with Elly Ameling, Graham Johnson, and Malcolm Martineau.
Since 2007, the year in which Filip Markiewicz produced the album Opinion Lieder in collaboration with drummer Antoine Lejeune, Raftside became a project integrating six rock musicians on stage and played at many festivals where the group had the opportunity to share the stage with Placebo, Kaiser Chiefs and Daft Punk.
Baron Raimund von zur-Mühlen (sometimes "Raymond", "Raimund von Zur Mühlen") (10 November 1854 in Uusna Manor (Neu-Tennasilm), Viljandi Parish (now in Viiratsi Parish), Viljandi County, Governorate of Livonia – 11 December 1931 in Wiston, near Steyning, England) was a celebrated tenor Lieder singer who also became a famous teacher of singing, instructing many famous artists.
Rico Lieder (born 25 September 1971 in Burgstädt) is a retired German sprinter who specialized in the 400 metres.
Adele Stolte, German soprano singer in concert and Lieder, and an academic voice teacher.
He also continued his career as a classical singer of opera, lieder, and chansons; making notable appearances in Japanese productions of Carmen and Hansel and Gretel, as well as singing the bass part in performances of Beethoven's Symphony No. 9.
In 2005 he shot the film Keine Lieder über Liebe ("No songs about love") with the German actors Jürgen Vogel and Heike Makatsch.
In February 1987 Hodgkinson toured with South African band Kalahari Surfers, playing at the "Rote Lieder DDR" Festival of Political Songs.
As accompanist, he has performed with lieder singers such as Christian Elsner, Matthias Görne, Dietrich Henschel, Wolfgang Holzmair, Hanno Müller-Brachmann, Christoph Pregardien, Roman Trekel, Rainer Trost, Iris Vermillion, Michael Volle, Ruth Ziesak and others.
Unsere Lieder (Our Songs) is the twenty-fifth studio album released by German Schlager group Die Flippers.
Walther Ludwig (17 March 1902, Bad Oeynhausen – 15 May 1981, Lahr) was a German operatic lyric tenor, particularly associated with Mozart roles and Schubert lieder.
Kantaten & Lieder zur Weihnacht, Barbara Schlick, Konzertchor & Kammerorchester Darmstadt, Seeliger