The archives also holds the Amet/Essany Studios Collection, covering the career and works of Waukegan native Edward Amet, a pioneer in 35mm motion picture projection.
Also in this decade, pornography became accessible to interested affluent adult men and women who are in a mature relationship that can be viewed through eight-millimeter portable film projectors, before the introduction of the more affordable videocassettes.
It is notable for being the place that hosted the very first public moviescreening, on December 28, 1895.
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He started experimenting with movie film in 1891, and eventually quit his job and concentrated fully on the development of his own movie projector, the Phantoscope.
He returned to his native Italy in the first years of the 1900s, where he heard of the recent invention of the first movie projector and, consequently, of what is considered to be the first motion picture, thanks to the Lumière brothers.
Polyvision was the name given by the French film critic Émile Vuillermoz to a specialized widescreen film format devised exclusively for the filming and projection of Abel Gance's 1927 film Napoleon.
After a showing of Alfred Hitchcock's Rear Window, at the Missouri Theater, the Ragtag was able to acquire a 35mm projector.
The two classmates teamed up to develop a movie projector using a new kind of intermittent motion mechanism, a "beater mechanism" similar to the one patented 1893 by Georges Demenÿ in France.
The Bioscop was a movie projector developed in 1895 by the brothers Emil and Max Skladanowsky in Berlin-Pankow.
The fascist regime looked favourably on Pion's company, especially after he invented the so-called camion sonoro (sound-lorry), a lorry mounted on a Fiat 508 wheelbase carrying a screen and a movie projector, which, apart from playing films, could also bring propagandist speeches around the major squares.