Julian Lloyd Webber recorded the song in a special arrangement for cello by its original orchestrator, David Cullen, on the 2001 album Lloyd Webber Plays Lloyd Webber.
The Blake Robinson Synthetic Orchestra, also known simply as The Synthetic Orchestra, is the pseudonym for a British video game music composer and orchestrator Blake Robinson, who has developed a substantial following on YouTube, primarily for his orchestrations, recreations and remixes of popular video game music.
Jorge Calandrelli, an Argentine composer, arranger and orchestrator
Intrabartolo also served as an orchestrator and conductor on In Good Company (2004), American Dreamz (2006) and the acclaimed "Dreamgirls" (2006) underscore with Hedwig and the Angry Inch composer Stephen Trask.
After Vaughan's death he worked as Englebert Humperdink's musical director in Las Vegas, and as an orchestrator for Rita Moreno.
In addition to his works for the concert hall, he was active as an orchestrator for many Hollywood productions including the Elizabeth Taylor movie Cleopatra (1963), one of many collaborations with composer Alex North.
The rest of the crew had set design and costume by Michael Annals, lighting design Martin Aronstein, musical director and dance and incidental music Peter Howard, music orchestrated and vocal arrangements Don Walker, production manager Tom Porter, stage managers George Rondo and Ellen Wittman, and press by Max Eisen and Carl Samrock.
Jean René Désiré Françaix (23 May 1912 in Le Mans – 25 September 1997 in Paris) was a French neoclassical composer, pianist, and orchestrator, known for his prolific output and vibrant style.
He entered the motion picture soundtrack industry by becoming an uncredited orchestrator for Dimitri Tiomkin's The Alamo and composed his first score the following year Love in a Goldfish Bowl.
He is best known for his role as pianist, arranger and orchestrator for the American television sitcom I Love Lucy which aired from October 15, 1951 to May 6, 1957 on CBS, Columbia Broadcasting System.
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When Arnaz started production of I Love Lucy, he once again turned to Rizo, hiring him to be the pianist and orchestrator for the show between 1951 and 1957.
Mort Lindsey, (born Morton Lippman; March 21, 1923, Newark, New Jersey – May 4, 2012, Malibu, California), was an orchestrator, composer, pianist, conductor and musical director for Judy Garland, Barbra Streisand, Pat Boone, and Merv Griffin.
He lived in Los Angeles, California where he worked as an orchestrator for several films including Blame it on Rio and Sister Act 2: Back in the Habit.
Once Cristo arrived in Los Angeles, he worked as an orchestrator as well as providing technical computer support to augment his income.
He worked as an orchestrator for several American television programs including In the Heat of the Night, and worked as an orchestrator for several Hollywood films including Star Trek V: The Final Frontier.
The family then faded from prominence for the remainder of the Second World War, but in the mid-1980s, the grandson of Domenico Silviatti, Giancarlo Silviatti (John C. Silviatti) would return the family name to prominence working for the American Express Corporation as the orchestrator of the Shearson Loeb Rhoades purchase, as well as that of the IDS Company.
My Little Pony: Friendship Is Magic – song orchestrator and composer, additional music (seasons 1–4)
Torchwood: Original Television Soundtrack is a soundtrack album which was released on 22 September 2008, containing incidental music composed by Ben Foster and Murray Gold and used in the first and second series of the British science fiction television programme Torchwood.
Torchwood: Children of Earth: Original Television Soundtrack is a soundtrack album which was released on 7 July 2009, containing incidental music composed by Ben Foster used in the third series ("Children of Earth") of the British science fiction television programme Torchwood, which aired July 2009.
Orchestrator John Morgan enlarged all sections of the orchestra for the latter, referring to Samuel Barber's Adagio for Strings as Herrmann's main influence on the score in the liner notes.