Record chart, a ranking of recorded music according to popularity during a given period of time
The year 2000 saw Lewis presenting the national television program, The 10:30 Slot, and Pepsi Live, a music chart television program.
Also, his and Kyoya Hibari's character CD entitled "Sakura addiction", peaked at seventh place on the Oricon charts.
Many different criteria are used in different charts, including sales of records, cassettes and compact discs, the amount of radio airplay, and (since the introduction of the technology) the number of downloads.
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They decided to release a second humorous single in 1989 called "Terry Wogan's On TV (Again)" but it did not chart.
Alive N Kickin’ (known originally as Alive and Kicking, and sometimes spelled Alive 'N Kickin’) is a Brooklyn band, led by singers Pepe Cardona and Sandy Toder, known mainly for their 1970 hit single "Tighter, Tighter" which reached #7 in the US Billboard Hot 100 chart.
It spawned the Top 10 romantic ballad "Key Largo", which referenced the Humphrey Bogart movie of the same name and reached #8 in the U.S. Billboard Hot 100 record chart, number one in the adult contemporary charts, and a country hit as well.
Released in November 1957, his song "Raunchy" was the first rock and roll instrumental hit, and its popularity was such that it reached #2 on the American Billboard chart and got to #1 on the Australian charts.
The album spawned five singles: "In The Summertime", a cover of a Mungo Jerry classic, "Boombastic", which peaked at number 1 on the UK Singles Chart, at 3 on the Billboard Hot 100 and at number 1 on the U.S. R&B chart, "Why You Treat Me So Bad?", the double A-side "Something Different" / "The Train Is Coming", and "Day Oh", which was released as a Japanese only single.
Whilst Campbell was enjoying her chart success, Britney Spears came onto the music scene and the media quickly made comparisons between the two.
His rapping can be prominently heard on many of C+C's songs from their debut album, including Billboard Hot 100 #1 "Gonna Make You Sweat (Everybody Dance Now)," as well as other major hits "Here We Go (Let's Rock & Roll)" and "Things That Make You Go Hmmm..." All three of those songs hit #1 on the Hot Dance Music/Club Play record chart.
In 1968 he landed his first recording contract with Warner Bros. Records, and from that point until 1977 issued a number of singles that failed to break the charts.
The Global Chinese Pop Chart (全球华语歌曲排行榜, quánqiú huáyŭ gēqŭ páihángbàng) is a Chinese language popular music pop music chart compiled by 7 Chinese language radio stations.
He co-wrote or solely wrote their songs "Hollywood", "Street Player" (later recorded by co-writer Danny Serephine's band Chicago), "Everlasting Love" (not to be confused with the Robert Knight hit with the same title), "Do You Love What You Feel", and the 1983 hit single "Ain't Nobody," which reached #1 on the US Billboard R&B chart.
The most popular versions of the song were recorded by Doris Day and Denise Lor; both charted in 1954.
True success came the following year, however, with the release of his Secrets of Flying album, which contained a pair of Top 5 hits on the US Billboard R&B chart: "Dancin' with Myself" and "Just Got Paid," the latter hitting #1.
Pronk (as part of Alice DeeJay) was also successful in the United States, where "Better Off Alone" reached number 3 on Billboard's Hot Dance Music/Club Play, number 12 on the Rhythmic Top 40, and number 27 on the Billboard Hot 100 charts in the spring of 2000.
In 1998 she had a #1 hit single on the U.S. Hot Dance Club Play chart and a #8 hit on the UK Singles Chart with her cover version of Everything but the Girl's "I Didn't Know I Was Looking for Love", under the more simple title of "Looking for Love".
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to 1998.
While the single and album had limited success in his home country of the U.S., Newberry's single was popular enough across the Atlantic to reach #6 on the UK Singles Chart, his only significant chart hit in either country.
Mary Mason is a British singer who scored a minor hit in the UK Singles Chart in 1977 with a medley of Chip Taylor's "Angel of the Morning" / "Any Way You Want Me", reaching #27 and spending six weeks in the chart.
She scored three hits on the US Billboard Hot Dance Music/Club Play chart: "We Can Make It" (#1, 1995), "Movin'" (#2, 1996) and "Partay Feeling" (As B-Crew featuring Barbara Tucker, Dajae, Ultra Nate and Moné) (#22, 1997).
He is also known for producing The Moody Blues albums Long Distance Voyager and The Present, the former being a United States Billboard 200 chart topper.
Its initial entry on the Hot Dance Club Play chart, "Walking on Sunshine" (an Eddy Grant composition and songwriter, featuring lead vocals by Donnie Calvin) hit #1 on the U.S. dance chart in 1982.
In 1980 the album You'll Never Know saw some major chart success with "The Groove" (it reached number 7 in the UK Singles Chart).
The group's first album, The Mac Band featuring the McCampbell Brothers included production by Babyface and members of Atlantic Starr, and one of the tracks from the album, "Roses Are Red" reached #1 on the U.S. R&B chart and reached the Top 10 in the UK Singles Chart.
This reached the Top 10 in the US Billboard R&B chart in 1952, and, according to Joel Whitburn, original copies have the highest cash value, $2000, of any record ever making the R&B chart.
After switching to Vigor Records, they released a full-length self-titled album in 1976 and had several hit singles on the US Billboard R&B chart.
Their debut album, Unmap, was released on September 22, 2009, reaching number 92 on the Billboard Top 200 chart.
It features "Walk Don't Run '64," an updated recording of the Johnny Smith cover; as a single, it would be the second time the band had a Top 10 hit in the U.S. with that same composition. The album also includes a rendition of blues classic "The House of the Rising Sun," and "Rap City," the Ventures' arrangement of Brahms' Hungarian Dance No. 5.
The song was Parker's first record chart appearance after joining Duke Records and one of his most successful singles in both the R&B and pop charts.
Performed in the West Coast blues style, it became Fulson's first record chart hit for Checker Records, a subsidiary of Chess Records.