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From the off, Reynolds considered this his "final debut", stating on his Myspace blog that, since the majority of the musicians appearing on British Ballads were session musicians, it was financially impractical to consider recording a new album on the same scale.
This record saw a new group of session musicians participating in the production, although Robin Jones was still around to record percussive layers that support the songs rhythm structure.
Like its follow up The Weather Inside the album is notable for its stellar cast of session musicians including Richie Hayward, George Hawkins, Paul Barrere, Michael Landau, Ethan Johns, Bill Payne, Bernie Leadon, Jerry Donahue and Steve Lukather.
The early 1960s saw the rise of the Liverpool Sound, and Carter and Lewis recorded copies of the latest group hits and performed them for the BBC Light Programme's shows Easy Beat and Saturday Club; working with jazz musicians such as Marion Montgomery, Marion Ryan and session musicians such as Kenny Clare (drums) and Roy Deltrice (bass), under the direction of their music publisher Freddy Webb of Southern Music.
The session musicians included blind pianist Benny Holton, who regularly accompanied Butler, as well as Chicago stalwarts Leon Washington on tenor sax and Red Saunders on the drum stool.
During this period Davies and Korner worked as session musicians, and often backed Ottilie Patterson during her featured set with husband Chris Barber's band, using amplified instruments for the first time - which did not go down well with their blues purist audience and many fellow musicians.
It featured many of the top session musicians of the time, such as Jeff Porcaro and Dann Huff.
He also performed with the Manhattan Sound Big Band, with Alexis Korner and various session musicians in the big band-rock fusion group CCS amongst others, and was a member of the Best of British Jazz group from the 1970s onwards.
It was recorded twice, once in upstate New York with Bowie producer Tony Visconti, bassist Bones Hillman and Ross Burge on drums, then again six months later in Los Angeles with Crowded House producer Mitchell Froom and different session musicians.
Accompanying Green on this album were several experienced session musicians, including Snowy White, who went on to work with Pink Floyd before joining Thin Lizzy.
The creative process involved Mackay flying out beforehand to Los Angeles where he scouted for suitable song material and session musicians.
Jaune - 1970 (with notable, at the time very young, American session musicians Tony Levin and David Spinozza)
Lyricist Michael Kunze had previously co-written Silver Convention's 1977 entry for Germany, "Telegram", and in the late 70s both Kunze and co-writer Geoff Bastow had also worked as session musicians and composers for other successful Germany-based disco acts like Boney M. and Amanda Lear.
His sons, Jamie Muhoberac and Parrish Muhoberac, are also well known session musicians, arrangers, producers, and engineers.
They recruited various session musicians to help record the album and eventually recruited a live setup in the form of Lewis Gordon, Ross MacFarlane and Will Foster.
Barnes performs regular live gigs around Australia and also backs other artists including R&B singer Jade MacRae, live Sydney band The Hands (whose members include session musicians Clayton and Lachlan Doley) and her father Jimmy.
In the early 1980s, he was also in the band Maxus that featured future Los Angeles session musicians Robbie Buchanan, Jay Gruska, and Doane Perry.
Their video "I Wanna Be A Marine" included a who's who of session musicians including Scorpio from Grandmaster Flash, The Uptown Horns, Tommy Mandel and others.
From the age of eighteen, he lent his talent to many pop starts such as Julien Clerc, Sylvie Vartan and Fabienne Thibault, and soon became one of the most requested session musicians.
The studio was originally opened in 1971 as Quadrafonic Sound Studio by session musicians David Briggs and Norbert Putnam.
Elsewhere, Reeves Gabrels moved to London and joined David Bowie's band Tin Machine; and Tomeo, Cragin, and Gantek all carved out careers as notable session musicians.
But after working with the session musicians on her album including Genevieve Maynard and Pat Hayes who was a former member of The Falling Joys, she decided to form a band with them.
Filling out the trio's sound were session musicians including bassist Randy Jackson, keyboardist Tim Gorman, guitarists Danny Chauncey and Marlon McClain, and saxophonist Steve Douglas.
Both of their hits were mixed by Shep Pettibone and album session musicians include Warren Benbow, Jocelyn Brown and Debra Blackwell, Sheldon Weeks on lead vocals.
David Cassidy supplied lead vocals and Shirley Jones performed as a background vocalist along with session musicians.
The album is notable for its stellar cast of session musicians including Andy Fairweather-Low, Richie Hayward, George Hawkins, Michael Landau, Ethan Johns, Bill Payne, Bernie Leadon and Albert Lee.
The year 2004 saw the release of Collier's album Mallet Jazz, another instrumental showcase in which he is joined by fellow session musicians from throughout his career, such as percussion hall-of-famer Emil Richards on marimba, Joe Porcaro and John Bishop on drums, and Mike Lang and Don Grusin on piano.
Recorded by North and session musicians, who were Steve Byrd (guitar), John McCoy (bass) and Bryson Graham (drums).