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Other important influences on Brattell’s work include the English proto-surrealist Austin Osman Spare (1886–1956), writers J. G. Ballard (1930–2009) and William S. Burroughs (1914–1997).
This surrealist collage comic strip was entitled 'A Severed Head' (named after an Iris Murdoch novel).
The cover features a reproduction of Belgian surrealist artist René Magritte's The Listening Room.
Though she had been trained in the classical atelier style through the art department at Haverford College, the Cecil Academy of Art in Florence, Italy, and through an apprenticeship with sculptor, Alan LeQuire in Nashville, Tennessee, she was drawn to the surrealist movement of the 1920s, and more contemporary narrative artists, such as Francis Bacon, Joel-Peter Witkin, George Tooker, and Odd Nerdrum.
The Dutch magic-surrealist painter Carel Willink used several of the park's statue groups in his paintings, e.g. The Eternal Cry and Balance of Forces.
Hawthorne is best known for writing the screenplay for director Bob Balaban's surrealist horror-comedy Parents, starring Randy Quaid, Mary Beth Hurt, Bryan Madorsky and Sandy Dennis.
Interest in his work abroad led to performances of his play The Sphinx Mother, a modern Oedipus, at the Salzburg Festival in 1972, and Lilith, a comedy of surrealist images, at the Schauspielhaus, Vienna in 1979.
The relationships and affinities of her paintings with European Art informel (Wols, Jean Fautrier, Yves Klein) and the antecedent surrealist automatism of Andre Masson became more pronounced in Cohen’s work during the time she lived in Cologne in the nineties.
A number of their album covers have been created by international surrealist artist J. Karl Bogartte (Chicago Surrealist Group), whose work, among other places, is in the collection of the Milwaukee Art Museum.
During that period he met a number of Surrealist artists, including Jean Tinguely, Marcel Duchamp and Man Ray, and also a number of artists subsequently associated with the Fluxus movement, including Robert Filliou, Dieter Roth and Emmett Williams.
Le Déjeuner en fourrure, nickname for Object, 1936 surrealist sculpture by Méret Oppenheim
Separating from Hord, she moved to Los Angeles in 1934, joining the post-surrealist group around Lorser Feitelson and Helen Lundeberg, and participating in the mural division of the Federal Arts Project, where she learned the art of screenprinting, which would become her favored graphic technique.
Early Morning is a surrealist farce by the English dramatist Edward Bond.
This is inferred in the scenes depicting the surreal dream-paintings from Yor's Minroud in Die Unendliche Geschichte (The Neverending Story), and is made explicit in Michael Ende's book Der Spiegel im Spiegel (The mirror in the mirror), a collection of short stories based on (and printed alongside) Edgar Ende's surrealist works.
Švankmajerová was married to the Surrealist filmmaker Jan Švankmajer, with whom she collaborated on such films as Alice, Faust, and Conspirators of Pleasure.
Alternatives to traditional editing were also the folly of early surrealist and dada filmmakers such as Luis Buñuel (director of the 1929 Un Chien Andalou) and René Clair (director of 1924's Entr'acte which starred famous dada artists Marcel Duchamp and Man Ray).
François Leperlier (born 1949) is a French writer, essayist, poet, philosopher and art historian, known especially for his work on the surrealist writer and photographer Claude Cahun.
She continued her career in filmmaking, producing both simple commercial films and complex pre-Surrealist narratives such as two of her most famous works: La Souriante Madame Beudet ("The Smiling Madame Beudet", 1922/23) and La Coquille et le Clergyman ("The Seashell and the Clergyman", 1928).
During their stay they were also visited by many Surrealist friends including Roberto Matta, Wolfgang Paalen, Remedios Varo, Esteban Frances, Eva Sulzer, Alice Rahon, William Fett, Pierre Mabille, Benjamin Péret and the poet César Moro.
Many of his works are landscapes made in black and white, using a graphite pencil or etching with slightly surrealist shifting of reality still he is often considered a follower of traditions Russian realist landscapers of Ivan Shishkin and Yuly Klever.
The history of "poetic objects" may be traced back to the Dada productions of Marcel Duchamp and Kurt Schwitters, and to the surrealistic boxes of Joseph Cornell (among others), as well as Fluxus objects and editions, but an even older tradition of charms, talismans, Gnostic gems, seals, and fetishistic objects exists.
The building is also graced with the works of avant-garde, Surrealist or Bauhaus artists Joan Miró, Josef Albers, Jean Arp and Herbert Bayer, and also has a sculpture by Richard Lippold in the courtyard near it.
Key members at this stage included Paolozzi, the artist Richard Hamilton, surrealist and magazine art director Toni del Renzio, sculptor William Turnbull, the photographer Nigel Henderson and fine artist John McHale, along with the art critic Lawrence Alloway.
However, Miike's portrayal of the character (or rather his spirit) transcends reality (and time and space) and is more of a surrealist exposé of Izo's exceedingly bloody yet philosophical encounters in an afterlife heavy on symbolism, occasionally interrupted by stock footage of World War II accompanied by acid-folk singer Kazuki Tomokawa on guitar.
In 1967 he staged in Gassin at the Festival de la Libre Expression Pablo Picasso's 1941 surrealist theatrical farce in six acts Le Désir attrapé par la queue (Desire Caught by the Tail).
The name “Key of Dreams” is taken from the 1930 surrealist painting by René Magritte.
Quirke writes for television with surrealist playwright Robin French.
Vicente Huidobro (1893-1948), who had formed the Creationist literary movement, had been one of the main intermediaries of Surrealist thought in Chile, through his yearly travels to Paris.
The album cover pays homage to the 1928 surrealist film "Un Chien Andalou", where in place of Simone Mareuil is a puppet named Flat Eric, who appeared in the music video for Flat Beat.
Lobster Telephone (also known as Aphrodisiac Telephone) is a surrealist object, created by Salvador Dalí in 1936 for the English poet Edward James (1907–1984), a leading collector of surrealist art.
Loose Tapestries is an alternative band consisting of Sergio Pizzorno, of Kasabian, and surrealist and comedian Noel Fielding.
Mama, Papa is Wounded! (French: Maman, Papa est blesse!) is a 1927 surrealist painting by Yves Tanguy.
On October 24, 2009 Peck married longtime partner Mark Ryden, also a pop surrealist in the woods of the Pacific Northwest Rainforest.
Marcel Duchamp, a modern artist associated with the Dada and Surrealist movements, played for the Marshall after moving to Greenwich Village in the 1940s.
Ende was born November 12, 1929 in Garmisch-Partenkirchen (Bavaria, Germany), the only child of the surrealist painter Edgar Ende and Luise Bartholomä Ende, a physiotherapist (Coby).
It was released in 1993 on Metal Blade Records and featured cover art from the Apotheosis of Homer by Spanish surrealist Salvador Dalí.
My Life with Dalí is the title of an autobiography by a French singer Amanda Lear, first released in 1984, telling about her relationship with a Spanish surrealist painter Salvador Dalí.
For a time, Klippel embraced the surrealist ethic, exhibiting at a major surrealist show and meeting André Breton.
Surrealist photographer and filmmaker Man Ray made a film inspired by his design for the buildings named "Villa Noailles" entitled The Mysteries of the Château de Dé.
In 1936, Surrealist artist Joseph Cornell, who bought a print of the movie to screen at home, became smitten with the actress, and cut out nearly all the parts that did not include her.
It is entirely contained within the borders of Eduardo Avaroa Andean Fauna National Reserve and is characterized by landscapes that resemble surrealist paintings by Salvador Dalí.
‘Experiments in Advertising: The Films of Erwin Blumenfeld’, including films of the Surrealist fashion photographer for the first time.
Over his long career, Qadri has interacted with a wide array of cultural figures including Surrealist painter René Magritte, Nobel laureate Heinrich Böll, and architect Le Corbusier.
Although the director's, "purpose was primarily comic (and doubtless inspired by unwanted attention from increasingly savvy passers-by while filming his actuality shorts)," he creates, "one of the most striking genre entries," and, "makes imaginative use of an extreme close-up to create one of the seminal images of early British (and world) cinema, as effective in its way as the slashed eyeball of Un Chien Andalou (1929), and of just as much appeal to the Surrealist movement."
Their lyrics take a strong inspiration from surrealist literature and art from the early 20th century; "We Could Walk Together" quotes a line ("like a silver ring thrown into the flood of my heart") from a 1928 poem by French surrealist Joë Bousquet; in its final two verses, the song "What Goes Up" quotes the poem "Stupidity Street" by Ralph Hodgson in its entirety.
In 1983, Czech Surrealist Jan Švankmajer directed a 15-minute live action short film called The Pendulum, the Pit and Hope, based on this story and the short story "A Torture by Hope" by Villiers de l'Isle-Adam.
The towers appear prominently in the surrealist film The Holy Mountain by Alejandro Jodorowsky.