tenor | tenor saxophone | John McCormack (tenor) | Sax Rohmer | Sax | Lend Me a Tenor | Fernando de la Mora (tenor) | The Sax Pack | Tenor saxophone | Tenor | SAX | James King (tenor) | Yakety Sax | Steve Sax | Serenade for Tenor, Horn and Strings | Leonard Sax | Jimi Tenor | Carlo Bergonzi (tenor) | Andrew King (tenor) | Adolphe Sax | Tenor Saxophone | Tenor Saw | Tenor guitar | Tenor drum | Serenade for tenor, horn and strings | '''SAX'''ophone | Mario (tenor) | Lisa's Sax | Kurt Huber (tenor) | John Elwes (tenor) |
Zeca left the band, while the brothers Leo (Guitar) and Rod (Keyboards, Percussion and Bass) joined in, and some months after, bass duties were undertaken by Katharsis’ vocalist Sarmento (Bass, Tenor Sax and Didgeridoo).
They included Michael Brecker (tenor sax) and Randy Brecker (trumpet) - who had played on the Remote album - as well as guitarist Mike Stern (sidesman with Miles Davis), drummer Danny Gottlieb (Pat Metheny) and saxophonist Tommy Smith.
He employed the same musicians for both recordings; pianist Kenny Barron, bassist Todd Coolman, and drummer Lewis Nash with Moody on tenor sax.
He has a private music teaching practice in downtown Manhattan and collaborates with a variety of creative artists of different genres, most recently with famed director Melvin Van Peebles on his 2010 theatrical production of Sweet Sweetback's Baadasssss Song, in which Avram acted, as well as played tenor sax.
The session musicians included blind pianist Benny Holton, who regularly accompanied Butler, as well as Chicago stalwarts Leon Washington on tenor sax and Red Saunders on the drum stool.
The personnel on the session featured Glenn Miller, Jeffe Ralph, Harry Rodgers, and Jerry Jerome on trombone, George Siravo and Hal McIntyre on alto sax, Carl Biesecker on tenor sax, Charlie Spivak, Mannie Klein, and Sterling Bose on trumpets, Howard Smith on piano, Dick McDonough on guitar, Ted Kotsoftis on bass, and George T. Simon on drums.
He has edited, along with Mark Pawlak, two anthologies of high school writing Smart Like Me and Bullseye. A musician as well as a poet, Lourie plays the tenor sax and trumpet with the Blue Suede Boppers, the G-Clefs, and musician Big Jack Johnson.
:: Gary Slavo, Tom Wirtel, Bob Clull, Chris Witherspoon (trumpets), Don Jacoby (trumpet, leader), Dee Barton, William Barton, Loren Binford, Dave Wheeler (trombones), Al Beutler, John Giordano (alto sax), Jerry Keys (alto & bari sax), Bob Pierson, Don Melka (tenor sax), Keith Jarrett (piano), Don Gililland (guitar), Toby Guynn (bass), John Von Ohlen (drums)
The number was among those played by Los Angeles artists such as Clifford Brown (trumpet), Max Roach (drums) and Harold Land (tenor sax) as part of the "hardening" of Jazz bop.
In 1979, he joined Merl Saunders & Jerry Garcia in Reconstruction the new outfit Merl & Jerry are putting together with the help of Ed Neumeister (trombone), Ron Stallings (Tenor Sax & Vocals) and John Kahn (Bass).
In 2007 he performed at the Indigo Jazz and Blues Festival in Bangalore, supporting Sascha Ley in a band composed of himself on piano, Marc Demuth on acoustic bass, Johannes Müller on soprano / tenor sax, Anne Kaftan on soprano sax and bass clarinet and Benoît Martiny on drums.
In 1927 it become an 8-piece band with Lloyd Hunter on trumpet, Elmer Crumbley on trombone, Noble Floyd on clarinet and alto sax, Bob Welch on trombone, tenor sax and bass sax; Burton Brewer on piano; Julius Alexander on banjo; Wallace Wright on tuba, and; Amos Clayton on drums.
Shafi Hadi – tenor sax (2, 3, 4, 7, 8, 10), alto sax (1, 5, 6, 9, 12)
His first song on vinyl was Hedetch Alu, which was recorded in 1972 by Girma Bèyènè (piano and arrangements), Tesfa Mariam Kidane (tenor sax), Tekle Adhanonm (guitar), Fekade Amde Meskel (bass), Tesfay Mekonnen (drums) and Melesse himself.
The backing is provided by the Bill Harvey Band with Parker (vocals), Harvey (tenor sax), Joe Scott (Trumpet), Pluma Davis (trombone), Connie McBooker (piano), Pat Hare (guitar), Hamp Simmons (bass), and Sonny Freeman (drums).
Nova Bossa Nova was a Brazilian jazz ensemble consisting of Claudio Roditi on trumpet, Bob Mintzer on tenor sax, Joe Ford on alto sax, and Eddie Monteiro on vocals.
He was also in demand as an accompanist for artists such as Slide Hampton (trombone), Billy Mitchel (tenor sax), Harold Jones (drums), Art Farmer (trumpet), and many more.
The first line-up of Steps in the period 1979-1981, as can be read on the live album Smokin' in the Pit, consisted of Michael Brecker (tenor sax), Steve Gadd (drums), Eddie Gomez (bass), Don Grolnick (piano), Mike Mainieri (vibraphone), and special guest Kazumi Watanabe (guitar).
At this point, the band consisted of Graham (drums), Dave Richmond (bass guitar), Ron Edgeworth (keyboards), Ray Russell (lead guitar), Terry Childs (baritone sax), Bob Downes (tenor sax) and Alan Bown (trumpet).