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The second narrative involves a gay punk (Jason Durr) and a soul boy (Mo Sesay) in a relationship, which is the source of the narrative conflict as they face double prejudice of racism and homophobia, in both West Indian and white British communities.
In 1944, he was briefly imprisoned for assaulting a white British colonial teacher who was humiliating a black woman at King's College in Lagos, an event which generated widespread coverage in local newspapers.
Menchen produced and co-directed (with Michel Carré) The Miracle (1912 film), an early full-length, hand-coloured, black-and-white British feature film.
He subsequently wrote books about the settlement of rural immigrants in Freetown, Sierra Leone, and on the behaviour of the white British towards New Commonwealth immigrants.
In 1903 he published a critique of Joseph Chamberlain, the current British Colonial Secretary who had proposed colonial policies whose benefits were only available for White British subjects.