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The Pinacoteca Comunale in the Palazzetto del Podestà (1371) has a painting by Pietro Perugino, the Madonna of Mercy, as well as other works by Iacopo Siculo, Dono Doni, Fiorenzo di Lorenzo and Della Robbia.
The forms of G. del Pacchia are fuller than those of Perugino (his principal model of style appears to have been in reality Franciabigio); the drawing is not always unexceptionable; the female heads have sweetness and beauty of feature, and some of the colouring has noticeable force.
Albertinelli's paintings bear the imprint of Perugino's sense of volumes in space and perspective, Fra Bartolomeo's coloring, the landscape portrayal of Flemish masters like Memling, and Leonardo's Sfumato technique.
According to the Peruvian chronicler Antonio de la Calancha, it was St. Nicholas of Tolentino who made possible a permanent Spanish settlement in the rigorous, high-altitude climate of Potosi, Bolivia.
St. Sebastian Bound to a Column (c. 1500–1510) — Oil on canvas, 181 × 115 cm, São Paulo Museum of Art, São Paulo, Brazil
The church was built for the Discalced Augustinians in 1599, and originally dedicated to the 13th century Augustinian monk, St. Nicholas of Tolentino (also called San Niccolò or Nicolò da Tolentino).