He also wrote opera librettos for Richard Rodney Bennett (The Mines of Sulphur, All the King's Men and Victory) and Nicholas Maw (The Rising of the Moon).
Nicholas II of Russia | Saint Nicholas | Nicholas I of Russia | Nicholas II | Nicholas I | Nicholas Nickleby | Nicholas Ray | Nicholas Roerich | Nicholas Briggs | St. Nicholas | Nicholas of Cusa | Nicholas Longworth | Nicholas Pegg | Nicholas | Nicholas Parsons | Nicholas Lyndhurst | Nicholas Lens | Nicholas Sparks | Nicholas Meyer | Nicholas McGegan | Nicholas Maw | Nicholas Kaldor | Nassim Nicholas Taleb | St. Nicholas Magazine | Pope Nicholas IV | Nicholas Tse | Nicholas I of Montenegro | Nicholas G. Carr | Nicholas Carr | Nicholas Blincoe |
Furthermore, over the years the Society has commissioned many new works - on average one every three years - from a wide and diverse range of British composers, including Roger Smalley, Nicholas Maw, Diana Burrell, Richard Rodney Bennett, Elizabeth Maconchy, Phyllis Tate, Robin Holloway, John McCabe, Geoffrey Burgon, Peter-Paul Nash, Kevin Volans and Michael Berkeley.
He has expanded the repertoire for the guitar through transcriptions of works by Bach, Scarlatti, Haydn, Mozart, Paganini, and others, as well as through commissions from various composers including Luciano Berio, Leonardo Balada, Robert Beaser, Wiliam Bolcom, Xavier Montsalvatge, Nicholas Maw, George Rochberg and Kurt Schwertsik.
Commissions and First Performances were established in the 1950s and 1960s and included works by Stravinsky (Canticum Sacrum, guest conducted by Robert Craft, in 1956), Bruno Maderna, Luigi Dallapiccola, Peter Maxwell Davies, John Tavener, Anthony Milner, Stanley Glasser (sung in Zulu), Christopher Brown, Geoffrey Burgon and his own pupil Nicholas Maw.
Another version, by Michael Alexander, was set by Nicholas Maw as his piece 'The Ruin' for double eight-part chorus and solo horn.