The Pinacoteca Comunale in the Palazzetto del Podestà (1371) has a painting by Pietro Perugino, the Madonna of Mercy, as well as other works by Iacopo Siculo, Dono Doni, Fiorenzo di Lorenzo and Della Robbia.
The forms of G. del Pacchia are fuller than those of Perugino (his principal model of style appears to have been in reality Franciabigio); the drawing is not always unexceptionable; the female heads have sweetness and beauty of feature, and some of the colouring has noticeable force.
St. Sebastian Bound to a Column (c. 1500–1510) — Oil on canvas, 181 × 115 cm, São Paulo Museum of Art, São Paulo, Brazil
Pietro Mascagni | Pietro Bembo | Pietro da Cortona | Ponte San Pietro | The Battle of San Pietro | Pietro Tacca | Pietro Perugino | Pietro Canonica | Pietro Annigoni | San Pietro in Casale | Pietro Tenerani | Pietro Tagliavia | Pietro Frua | Pietro Consagra | San Pietro in Ciel d'Oro | Pietro Verri | Pietro Scalia | Pietro Lombardi | Pietro Gori | Pietro Delitala | Pietro de' Crescenzi | Pietro Badoglio | Pietro Paolo Cristofari | Pietro Nobile | Pietro Musumeci | Pietro IV Candiano | Pietro Garinei | Pietro Della Valle | Pietro Cascella | Pietro Aretino |
Albertinelli's paintings bear the imprint of Perugino's sense of volumes in space and perspective, Fra Bartolomeo's coloring, the landscape portrayal of Flemish masters like Memling, and Leonardo's Sfumato technique.