While the Infiammati supported the suggestions of Pietro Bembo and Giovan Giorgio Trissino that the language of Boccaccio and Petrarch should serve as a model for literary Italian, the Umidi believed it should be based on contemporary Florentine usage and on the language of Dante.
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In 1783, by order of Grand Duke Pietro Leopoldo, the Accademia Fiorentina was merged, together with the Accademia degli Apatisti and the Accademia della Crusca, into the new Accademia Fiorentina Seconda.
ACF Fiorentina | Accademia delle Arti del Disegno | Accademia di Belle Arti | Accademia di San Luca | Accademia Nazionale di Santa Cecilia | Accademia dei Lincei | Accademia Musicale Chigiana | Accademia degli Incamminati | Accademia Nazionale di Arte Drammatica Silvio D'Amico | Accademia di Belle Arti di Venezia | Accademia di Belle Arti di Roma | Accademia di Belle Arti di Firenze | Orchestra dell'Accademia Nazionale di Santa Cecilia | Gallerie dell'Accademia | ''Accademia e Compagnia delle Arti del Disegno'' | Accademia Albertina | Ponte dell'Accademia | Memorie della Reale Accademia delle Scienze dell'Istituto di Bologna | Accademia Vivarium Novum | Accademia Italiana Thailand | Accademia Filarmonica Romana | Accademia di Cervo | Accademia di Belle Arti di Napoli |
Born in Florence, Gabbiani first apprenticed with the Medici court portrait painter Justus Sustermans, then with the Florentine Vincenzo Dandini; subsequently moved to Rome in 1673 he arrived in Rome, where he studied under the Medici-sponsored Accademia Fiorentina, led by Ciro Ferri and Ercole Ferrata.
He was born in Livorno, and studied at the Academy of Fine Arts of Florence under Luigi Bartolini, then moved to Rome where he continued studies at the Accademia Fiorentina in that city, studying under Pietro Tenerani.