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Many of his poems were put to music by such composers as Dargomyzhsky, Mussorgsky, and Rimsky-Korsakov.
Between 1908-1910 Chenal made a number of lauded appearances at the Opéra de Monte-Carlo, including the title roles in Umberto Giordano's Fedora, Camille Saint-Saëns' Proserpine, Alexander Dargomyzhsky's Rusalka, and Giacomo Puccini's Tosca among others.
In addition to Susanin, Mikhailov was a renowned interpreter of other bass and basso profundo roles in Russian opera: Pimen in Boris Godunov, the miller in Dargomyzhsky's Rusalka, Khan Konchak in Prince Igor, the Viking merchant in Sadko, Gremin in Eugene Onegin.
The idea to set Gogol's Marriage to music came from the advice and influence of Alexander Dargomyzhsky, who began to compose his own experimental opera, The Stone Guest, to Alexander Pushkin's tragedy just two years earlier (in 1866).