Since their common days as Soviet exiles in Munich in the early 1920s, he had been on friendly terms with Alfred Rosenberg whose views on the Caucasus and Cossacks as Circassians were largely shaped under Nikuradse's influence.
After World War I, Eckart edited the antisemitic periodical Auf gut Deutsch ("In good German"), working with Alfred Rosenberg and Gottfried Feder.
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Commissioned by Alfred Rosenberg's cultural organization Militant League for German Culture in 1934 under the working title Deutscher Wald–Deutsches Schicksal (German Forest–German Destiny), the feature-length movie premiered in Munich in 1936.
As the leader of the National Socialist German Students' League of Berlin he organised an exhibition in Berlin's Humboldt University for expressionist painters, for which he was vehemently attacked by Rosenberg.
After his Einsatzgruppen command, Jost was able to secure a position with the occupation administration for the eastern territories that was run by Alfred Rosenberg, where he acted as a liaison officer between Rosenberg and the Wehrmacht commander in southern Russia, Ewald von Kleist.
For commentators such as Habermas who credit Löwith's account, there are a number of generally shared implications: one is that Heidegger did not turn away from National Socialism per se but became deeply disaffected with the official philosophy and ideology of the party, as embodied by Alfred Bäumler or Alfred Rosenberg, whose biologistic racist doctrines he never accepted.
The Myth of the Twentieth Century (Der Mythus des 20. Jahrhunderts), often called "the Mythus", a book by Nazi author Alfred Rosenberg.