The sub-genre would gain its greatest prominence in the works of Ben Jonson — most notably in Every Man in His Humour (1598) and Every Man Out of His Humour (1599), but through his later works too.
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The supporting characters conform to greater or lesser degrees to the concept of humours comedy that Chapman had introduced in his An Humorous Day's Mirth (1597); Captain Foulweather, for example, is an extreme Francophile who not only embraces French ways but rejects English manners — and English women.