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4 unusual facts about Antonio Canova


Gyömrő

One of its attractions is the internal relief, the "Grieving Genius" made from Carrarra marble the work of Antonio Canova, Italian neo-classicist sculptor.

Thug Behram

Today the sinister Canova medallion, reputed to have been used in at least 65 murders, along with an aged hand-written document of 1831 supporting Behram's son Ali's continuance at an Indigo factory (Correspondence from the Quarter Master General’s office regarding the Indigo Factory in the Sepoy Lines at Vellore) are preserved in a private museum.

William Horn

Somewhat eccentric, in 1892 he was the donor of a copy of Antonio Canova's Venus, Adelaide's then controversial first public statue, which is still on display on North Terrace, Adelaide.

Wojciech Stattler

In 1818–27 he went to Italy, and continued his art studies at the Accademia di San Luca in Rome under Andrea Pozzi and privately with Vincenzo Camuccini and Bertel Thorvaldsen; as well as at the Academy of Vienna since 1822 under Antonio Canova.


Galleria Nazionale d'Arte Moderna

Its 75 rooms house the largest collection of works by 19th- and 20th-century Italian artists including Giacomo Balla, Umberto Boccioni, Giorgio de Chirico, Giovanni Fattori, Amedeo Modigliani, Giorgio Morandi, Giacomo Manzù, Alberto Burri, Antonio Canova, Felice Casorati and Lucio Fontana.

Giovanni Duprè

On a trip to Naples he passed through Rome and saw Antonio Canova's funeral monument to Pope Pius VI, which influenced his style in a classical direction.

John Campbell, 1st Baron Cawdor

John Thorpe, Henry Tresham, James Durno and Thomas Jenkins, commissioned paintings of archaeological sites in Naples and Sicily from Xavier della Gatta, Tito Lusieri, Henry Tresham and Louis Ducros, and bought sculptures from the young Canova.

Pietro Ronzoni

Trained in Rome under the guidance of the landscape painter Luigi Campovecchio from Mantua, Ronzoni met Angelica Kauffman and Antonio Canova and formed friendships with numerous artists, including Pelagio Palagi, Martin Verstappen and Hendrik Voogd.

Pinacoteca di Brera

Raphael's Sposalizio (the Marriage of the Virgin) was the key painting of the early collection, and the Academy increased its cultural scope by taking on associates across the First French Empire: David, Pietro Benvenuti, Vincenzo Camuccini, Canova, Thorvaldsen and the archaeologist Ennio Quirino Visconti.


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