He administrated the Sovremennik until 1982, when he moved to the Moscow Art Theatre, where he has played Molière and Salieri for over 20 years.
San Antonio | Antonio Vivaldi | Antonio Banderas | San Antonio Spurs | Gatpuno Antonio J. Villegas Cultural Awards | Antonio Villaraigosa | Antonio Margarito | Antonio López de Santa Anna | Port Antonio | Antonio Canova | Antonio Inoki | Antonio Gramsci | António de Oliveira Salazar | Antonio Rotolo | Antonio Meucci | Antonio Esfandiari | Marco Antonio Muñiz | Antonio Scarpa | Antonio José de Sucre | Teo Antonio | José Antonio Ocampo | Antonio Stradivari | Antonio Saura | Antonio Luna | Antonio López García | Antonio da Sangallo the Younger | Roman Catholic Archdiocese of San Antonio | Juan Antonio Samaranch | Juan Antonio Corretjer | Estadio Monumental Antonio Vespucio Liberti |
Later, he played Pyotr Ilyich Tchaikovsky in Tchaikovsky (1969), Uncle Vanya in Andrei Konchalovsky's screen version of Chekhov's play (1970), the Narrator in Andrei Tarkovsky's The Mirror (1975), an old man in Anatoly Efros's On Thursday and Never Again (1977), and Salieri in Mikhail Schweitzer's Little Tragedies (1979) based on Alexander Pushkin's plays.
In the movie, he is played by actor Jeffrey Jones as a well-meaning but somewhat befuddled monarch of limited but enthusiastic musical skill, easily manipulated by Salieri; however, Shaffer has made it clear his play is fiction in many respects and not intended to portray historical reality.
Other foreign operas of note, the Tarare of Antonio Salieri, The Freebooters by Ferdinando Paer, The Robber's Bride by Ferdinand Ries, and Heinrich Marschner's Der Vampyr, were afterwards produced at the English Opera House for the first time in England.
Marshall's description of the taste of the best burger uses music that alludes to the 1984 film Amadeus, when Antonio Salieri describes the same music (Serenade for Winds, K. 361, 3rd movement by Wolfgang Amadeus Mozart) with the same passion with which Marshall speaks of the burger.
Though all these roles were common folk, Boguslawski was equally convincing as elderly characters, rulers or tyrants, and he played King Lear in Shakespeare's tragedy (1805), King Axur in Axur, a drama set to music by Antonio Salieri (1793), and Old Horace in Pierre Corneille's Horace (1793).
Volkmar Braunbehrens, Maligned Master – the Real Story of Antonio Salieri, transl.